Online - Terremoto

19.06.2021

Reviews

Diego Ventura Puac-Coyoy

The Butterfly and the Jaguar Inhabit the Same Labyrinth: Notes on the 22nd Paiz Art Biennial

15.05.2021

Reviews

Margarita Ponce

XIV FEMSA Biennial, "Inestimable Azar"

24.04.2021

Reviews

Paula V. Kupfer

"Mesotrópicos: Ficciones transitorias y tempestades afectivas" at MAC Panama

06.02.2021

Reviews Museums and power Mexico

Diego Rodríguez Arce, Natalia de la Rosa

"OTRXS MUNDXS" in Face of Institutional Reaffirmation: Retrospective Views of an International Art Museum

23.01.2021

Reviews Imaginación anti-colonial Estados Unidos

Nic Brierre Aziz

Make America What America Must Become

19.12.2020

Reviews

El Flasherito

It’s Not Landscape, it’s Territory: A Brief Review of PANORAMA, Art Gallery Week in Argentina

05.12.2020

Reviews Retrospectiva Colombia

Paola Peña Ospina

To Paint From What is Given: Beatriz Gonzalez's Obsession with Images

21.11.2020

Reviews Indigenous Art Brazil

Raphael Fonseca

«Véxoa: nós sabemos» the first exhibition of Indigenous-only contemporary art in Pinacoteca do Estado de São Paulo

06.11.2020

Reviews

M.S.Yániz

Mexico Art-Shark Tank: Siembra #2 at kurimanzutto

23.10.2020

Reviews Berlin Germany

Oscar Ardila Luna, Lorena Díez Arias

Together But Unstirred: Solidarity and feminism at the 11th Berlin Biennale

25.01.2020

Reviews queer Mexico

Daril Fortis

MASC4mascara: emojis, hegemonic visuality, and lip-sync

23.11.2019

Reviews

Cecília Floresta

21st Sesc_Videobrasil Biennial of Contemporary Art: "Comunidades Imaginadas"

26.10.2019

Reviews

Mariela Richmond, Marga Sequeira

La Bienal en Resistencia: We need new ways of constructing, because it’s worth it

11.10.2019

Reviews

Mariano López Seoane

«Camp Fires. The Body as Queer Stage» in UV Estudios

19.09.2019

Reviews

Kati Lincopil

Si tú vivieras aquí: Martha Rosler en Museo de Arte Contemporáneo, Santiago de Chile

29.08.2019

Reviews

Brandon Drew Holmes

"Soul of a Nation: Art in the Age of Black Power 1963-1983" at The Broad

10.08.2019

Reviews

Lucimélia Romão, LIA CHAIA, elilson, Tieta Macau, Rafa Esparza

Verbo 2019 (15th edition edición), Brasil

18.07.2019

Reviews

Irving Domínguez

Portadores de sentido. Contemporary art in the Patricia Phelps de Cisneros Collection, in the Museo Amparo

01.06.2019

Reviews

Yanelys Nuñez Leyva

XIII Havana Biennial

04.05.2019

Reviews

Albeley Rodríguez-Bencomo

«Amarillo, azul y roto. Años 90: arte y crisis en Ecuador» in the Centro de Arte Contemporáneo de Quito

27.04.2019

Reviews

Diego del Valle Ríos

Distancia doble: Ana Bidart & Armando Rosales in ESPAC

21.03.2019

Reviews

Sara Hermann

«Canción de la voz florecida» in Centro Cultural de España of Santo Domingo

02.03.2019

Reviews

Raúl Rueda

PATHS THAT CROSS EACH OTHER (in a Place On the Road That No One Passes Through): On the Sharjah Art Foundation's Video Program "Genealogies in the Middle East and Latin America"

The Butterfly and the Jaguar Inhabit the Same Labyrinth: Notes on the 22nd Paiz Art Biennial

XIV FEMSA Biennial, "Inestimable Azar"

"Mesotrópicos: Ficciones transitorias y tempestades afectivas" at MAC Panama

"OTRXS MUNDXS" in Face of Institutional Reaffirmation: Retrospective Views of an International Art Museum

Make America What America Must Become

It’s Not Landscape, it’s Territory: A Brief Review of PANORAMA, Art Gallery Week in Argentina

To Paint From What is Given: Beatriz Gonzalez's Obsession with Images

«Véxoa: nós sabemos» the first exhibition of Indigenous-only contemporary art in Pinacoteca do Estado de São Paulo

Mexico Art-Shark Tank: Siembra #2 at kurimanzutto

Together But Unstirred: Solidarity and feminism at the 11th Berlin Biennale

MASC4mascara: emojis, hegemonic visuality, and lip-sync

21st Sesc_Videobrasil Biennial of Contemporary Art: "Comunidades Imaginadas"

La Bienal en Resistencia: We need new ways of constructing, because it’s worth it

«Camp Fires. The Body as Queer Stage» in UV Estudios

Si tú vivieras aquí: Martha Rosler en Museo de Arte Contemporáneo, Santiago de Chile

"Soul of a Nation: Art in the Age of Black Power 1963-1983" at The Broad

Verbo 2019 (15th edition edición), Brasil

Portadores de sentido. Contemporary art in the Patricia Phelps de Cisneros Collection, in the Museo Amparo

XIII Havana Biennial

«Amarillo, azul y roto. Años 90: arte y crisis en Ecuador» in the Centro de Arte Contemporáneo de Quito

Distancia doble: Ana Bidart & Armando Rosales in ESPAC

«Canción de la voz florecida» in Centro Cultural de España of Santo Domingo

«nepantla» & «Una piedra rota no es dos piedras»

PATHS THAT CROSS EACH OTHER (in a Place On the Road That No One Passes Through): On the Sharjah Art Foundation's Video Program "Genealogies in the Middle East and Latin America"

The Butterfly and the Jaguar Inhabit the Same Labyrinth: Notes on the 22nd Paiz Art Biennial

XIV FEMSA Biennial, "Inestimable Azar"

"Mesotrópicos: Ficciones transitorias y tempestades afectivas" at MAC Panama

"OTRXS MUNDXS" in Face of Institutional Reaffirmation: Retrospective Views of an International Art Museum

Make America What America Must Become

It’s Not Landscape, it’s Territory: A Brief Review of PANORAMA, Art Gallery Week in Argentina

To Paint From What is Given: Beatriz Gonzalez's Obsession with Images

«Véxoa: nós sabemos» the first exhibition of Indigenous-only contemporary art in Pinacoteca do Estado de São Paulo

Mexico Art-Shark Tank: Siembra #2 at kurimanzutto

Together But Unstirred: Solidarity and feminism at the 11th Berlin Biennale

MASC4mascara: emojis, hegemonic visuality, and lip-sync

21st Sesc_Videobrasil Biennial of Contemporary Art: "Comunidades Imaginadas"

La Bienal en Resistencia: We need new ways of constructing, because it’s worth it

«Camp Fires. The Body as Queer Stage» in UV Estudios

Si tú vivieras aquí: Martha Rosler en Museo de Arte Contemporáneo, Santiago de Chile

"Soul of a Nation: Art in the Age of Black Power 1963-1983" at The Broad

Verbo 2019 (15th edition edición), Brasil

Portadores de sentido. Contemporary art in the Patricia Phelps de Cisneros Collection, in the Museo Amparo

XIII Havana Biennial

«Amarillo, azul y roto. Años 90: arte y crisis en Ecuador» in the Centro de Arte Contemporáneo de Quito

Distancia doble: Ana Bidart & Armando Rosales in ESPAC

«Canción de la voz florecida» in Centro Cultural de España of Santo Domingo

«nepantla» & «Una piedra rota no es dos piedras»

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