02.10.2021
“Although in the face of the rise of photography, the term real has become increasingly alien to the pictorial, in its condition as an image, painting can touch reality through formulas that burn in the midst of historical contexts, in which critical knowledge about images is produced.”
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Hal Foster, El retorno de lo real. La vanguardia a finales de siglo (Madrid: Akal, 2001
George Didi-Huberman, “El archivo arde”, en: Georges Didi-Huberman y Knut Ebeling (eds.) Das Archiv brennt (Berlin: Kadmos, 2007)
Xavier Rubert de Ventós, El arte ensimismado (Barcelona: Anagrama, 2006)
Luis Pérez-Oramas, La (in)actualidad de la pintura y vericuetos de la imagen (Valencia: Pre-textos, 2021)
Idem.,Xavier Rubert de Ventós.
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11.08.2022
Reports
Daniel Godínez Nivón, Helena Lugo
Curator Helena Lugo talks to Daniel Godínez Nivón, who represents Mexico at the 23rd Milan Triennale.
04.08.2022
Reports
Tania Safura Adam Mogne
The representation and participation of the Global South at the Venice Biennale serves as a starting point for the reflection that Tania Adam Mogen constructs: the possibility of works that tighten the rules of the game and blur the boundaries between art, politics and radical imagination.
29.07.2022
Extract
Sara Garzón, Ximena Garrido-Lecca
EXTRACT is an online section where we share some of the texts published by Temblores Publicaciones, Terremoto’s publishing house. We present the tenth extract of this section, “Vegetal Becomings” by Sara Garzón, from Botanical Readings: Erythroxylum Coca. This publication is a retrospective review of the installation Botanical Readings: Erythroxylum Coca by Ximena Garrido-Lecca exhibited at proyectoamil, Lima, Peru, in 2019.
23.07.2022
Projector
”What do I have in common with the current fetishizing setting in Buenos Aires and in an LGBT movement that is not me?” asks Florencia Mamani in her third installment of projector “Intersex Andean when not wanting to be fetishized.”
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