02.10.2021
“Although in the face of the rise of photography, the term real has become increasingly alien to the pictorial, in its condition as an image, painting can touch reality through formulas that burn in the midst of historical contexts, in which critical knowledge about images is produced.”
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Hal Foster, El retorno de lo real. La vanguardia a finales de siglo (Madrid: Akal, 2001
George Didi-Huberman, “El archivo arde”, en: Georges Didi-Huberman y Knut Ebeling (eds.) Das Archiv brennt (Berlin: Kadmos, 2007)
Xavier Rubert de Ventós, El arte ensimismado (Barcelona: Anagrama, 2006)
Luis Pérez-Oramas, La (in)actualidad de la pintura y vericuetos de la imagen (Valencia: Pre-textos, 2021)
Idem.,Xavier Rubert de Ventós.
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