07.07.2022
Amid branches, foliage and fauna, art historian Amalia Cross walks through the halls of an exhibition that illuminates memory with firefly light, and expands the limits of the institutional through a jungle museography.
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Fragment from the poem “Arte contemporáneo” by Elvira Hernández (Los trabajos y los días. Santiago: Lumen, 2017, 273).
“The owners of the great machines of monopoly capitalism (…) needed a science that would ‘establish’ the jungle peace (…) combined with a transcendent ethics of hunting”. Donna Haraway, “Teddy Bear Patriarchy: Taxidermy in the Garden of Eden” in Social Text No. 11
(New York City: Duke. University Press, 1984-1985), 20–64.
María José Ferrada, “Vamos a hacer un sol”. En la selva hay mucho por hacer. Santiago: MSSA, 2022.
On the history of the MSSA, see: María Berríos, “‘Struggle as Culture’: The Museum of Solidarity, 1971-1973”, Afterall: A Journal of Art, Context and Enquiry, (London), Issue 44, Fall–Winter 2017, 130-141.
Claire Bishop, Museología radical. Buenos Aires: Libretto, 2018, 8.
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11.08.2022
Reports
Daniel Godínez Nivón, Helena Lugo
Curator Helena Lugo talks to Daniel Godínez Nivón, who represents Mexico at the 23rd Milan Triennale.
04.08.2022
Reports
Tania Safura Adam Mogne
The representation and participation of the Global South at the Venice Biennale serves as a starting point for the reflection that Tania Adam Mogen constructs: the possibility of works that tighten the rules of the game and blur the boundaries between art, politics and radical imagination.
29.07.2022
Extract
Sara Garzón, Ximena Garrido-Lecca
EXTRACT is an online section where we share some of the texts published by Temblores Publicaciones, Terremoto’s publishing house. We present the tenth extract of this section, “Vegetal Becomings” by Sara Garzón, from Botanical Readings: Erythroxylum Coca. This publication is a retrospective review of the installation Botanical Readings: Erythroxylum Coca by Ximena Garrido-Lecca exhibited at proyectoamil, Lima, Peru, in 2019.
23.07.2022
Projector
”What do I have in common with the current fetishizing setting in Buenos Aires and in an LGBT movement that is not me?” asks Florencia Mamani in her third installment of projector “Intersex Andean when not wanting to be fetishized.”
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