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29.01.2014
Parallel, Oaxaca, México
June 10, 2014 – January 31, 2014
Yann Gerstberger (*1983, Cagnes sur Mer, France) has created a body of work where disjoint naive, tropical and primitive motifs inform both representational and abstract vocabularies that overlap. As part of a generation of artists trawling the internet to create works engaging both the material world and the digital possibilities, Gerstberger creates means of storytelling, but the stories he tells are not strictly narrative. The works, installations and assamblages exist then as “journeys”; as the experience of recasting morphological and semantic conditions for the continuous progression of the magical and the bizarre.
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Courtesy of Parallel Oaxaca y el artista, fotografo Rolando Martínez.
05.09.2024
Reports
Constanza Medina Ávila
Photographs, videos, and objects that make up the imprint of some of the performances by the artist Lechedevirgen were presented in “Acts of Disobedience,” a solo exhibition by the artist, educator, and researcher from Querétaro, held at the Libertad Gallery (July-August 2024). Symbolic revenge woven through various complicities.
27.08.2024
Reports
Joselyne Contreras Cerda, Sebastián Vidal Valenzuela, Diego Parra Donoso
Insisting; the colonization of sensitivity supports the multiple forms of fascism, be it from national fascism to military dictatorships, Insisting. On the occasion of the almost 51 years since the coup d’état in Chile, we remember PRESENTE at the Museo de Arte Contemporáneo curated by Joselyne Contreras Cerda, Sebastian Vidal Valenzuela, Diego Parra Donoso, a transgenerational collective exhibition that enunciated the relationship between art and its political implications since September 1973.
15.08.2024
Opinion
danie valencia sepúlveda
This is the first installment of “Sentimental Cartography of Ongoing Brutalization”, an editorial agitation proposal for the convulsive times that our anesthetized sensibilities are going through.
08.08.2024
Reviews
(Español) Uriel Vides Bautista
The curator and researcher Uriel Vides Bautista invites us to problematize the discursive limits of art and artificial intelligence, elements that cross Trashumancia, from the multidisciplinary collective MUXX. Inaugurated last June 19 at the Alameda Art Laboratory, it will be activated by a series of events that make up the public program until September 25.
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