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Hunter Shaw Fine Art, Los Angeles, USA
November 4, 2017 – December 1, 2017
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Hunter Shaw Fine Art
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Ana Gabriela García
In relation to the reopening of the parallel project by Galería Hilario Galguera, El cuarto de máquinas, Ana Gabriela García walks through the exhibition Negra espalda del tiempo and observes how artists Vanessa Enríquez and Concepción Huerta evoke processes of memory and fiction: representations of the unrepresentable.
Davo Valdés de la Campa
Davo Valdés takes the case of Morelos as an example to problematize: how can we justify the existence of cultural apparatuses that pay for positions in which nothing is proposed or carried out?
Laura Burocco reflects praises the presence of the Nordic Pavilion (Sami) as one of those that was able to dismantle the deeply and historically rooted nation-state reflection at the Venice Biennale.
Mónica E. Kupfer
Through a historical journey, Monica makes a critical review of the path that women have opened in art institutions.
Sorry, this entry is only available in European Spanish.