No Money No Problem

Characteristics of the Economy of Art in Venezuela

In light of the past 70 years of its history, Rodrigo Figueroa reviews the surprising capacity of Venezuelan art to survive internationally yet locally blossom despite the terrible socio-political crisis they face.

20.04.2020

Issue 17: No Money No Problem

Benedicta M. Badia de Nordenstahl

Collecting Beyond Buying and Selling

13.04.2020

Issue 17: No Money No Problem

Natalia Zuluaga, César García-Alvarez, Jasmine Wahi, Chris E. Vargas

To Assimilate Oppression in Exchange of Representation?

30.03.2020

Issue 17: No Money No Problem

A.L. Steiner, Naomi Fisher

Caught in the Cycle, Living in the Spiral

23.03.2020

Issue 17: No Money No Problem

Gaby Cepeda

«Money, this, that, the other»

16.03.2020

Issue 17: No Money No Problem

Victor Albarracín Llanos

An Old Tyranny's Novelty Discourse

09.03.2020

Issue 17: No Money No Problem

Nicolás Pradilla, Tamara Ibarra, Diego del Valle Ríos

Is A Commons Possible Under Neoliberalism?

02.03.2020

Issue 17: No Money No Problem

Pascal Gielen, Lara García Díaz

The Potency of Commoning

24.02.2020

Issue 17: No Money No Problem

Tonatiuh López

What Do We Defend, We Who Were Born Here?

17.02.2020

Issue 17: No Money No Problem

Jessica Briceño Cisneros, Ignacio Gatica

«Kema todo; esto es arte»

10.02.2020

Issue 17: No Money No Problem

Monika Bravo, Dorothée Dupuis

Characteristics of the Economy of Art in Venezuela

Collecting Beyond Buying and Selling

To Assimilate Oppression in Exchange of Representation?

Caught in the Cycle, Living in the Spiral

«Money, this, that, the other»

An Old Tyranny's Novelty Discourse

Is A Commons Possible Under Neoliberalism?

The Potency of Commoning

What Do We Defend, We Who Were Born Here?

«Kema todo; esto es arte»

Vital impetus

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