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23.03.2020

«Money, this, that, the other»

Considering the fact that Latin America is the region with the most commercial centers in the world, curator Gaby Cepeda reflects on «MALL», a project created by artist Adriana Martínez and cultural manager Juliana Echavarría dedicated to «wearables», as a means of questioning the relationship between art and consumption in the «post-normcore» era.

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Notes

  1. Lyrics from the chorus of Mariah Carey, feat. Fabulous, “Money ($ * / …),” track 11 on Me. I am Mariah…The Elusive Chanteuse, Def Jam Recordings, 2014.

  2. Madeleine Watternbarger, “An Alternate Future for the Mall,” n+1, August 16, 2017. <https://nplusonemag.com/online-only/online-only/an-alternate-future-for-the-mall/>.

  3. In 2015, Mexico had a total of 584 commercial centers. Nayeli Meza Orozco, “México, el país con más centros comerciales en AL,” Negocios, Forbes México, March 14, 2015. <https://www.forbes.com.mx/mexico-el-pais-con-mas-centros-comerciales-en-al/>.

  4. Darcie Wilder, “This Is a Post about Post-Normcore,” The Outline, December 5, 2019. <https://theoutline.com/post/8391/post-normcore-darcie-wilder-quipallbirds?zd=2&zi=7j6ncm66>.

  5. Michael Connor, “What’s Postinternet Got to Do with Net Art,” Rhizome, November 1, 2013. <https://rhizome.org/editorial/2013/nov/1/postinternet/>.

  6. Brad Troemel, “Athletic Aesthetics” The New Inquiry, May 10, 2013. <https://thenewinquiry.com/athletic-aesthetics/>.

  7. Marina Vishmidt, Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital, Leiden; Boston: Brill, 2018, p. 5.

  8. Ibid., p. 4.

  9. Wilder, “This Is a Post about Post-Normcore.”

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