Contemporary Art in the Americas Arte Contemporáneo en las Américas
Jamais me olharás lá de onde te vejo Jamais me olharás lá de onde te vejo

Jamais me olharás lá de onde te vejo

Éder Oliveira, Regina Parra and Virginia de Medeiros

Instituto Tomie Ohtake São Paulo, Brazil August 8, 2019 – September 29, 2019

Instituto Tomie Ohtake’s Curatorial Design and Research Center has organized the eighth iteration of its Arte Atual (Current Art) program with artists Éder Oliveira, Regina Parra and Virgínia de Medeiros posing their reflections on portraiture as a pictorial genre and a way of recognizing subjects and assigning identity to them. The exhibition’s title—You Will Never

Jamais me olharás lá de onde te vejo (2019). Installation view. Image courtesy of Instituto Tomie Ohtake. Photo by Ricardo Miyada Jamais me olharás lá de onde te vejo (2019). Installation view. Image courtesy of Instituto Tomie Ohtake. Photo by Ricardo Miyada Jamais me olharás lá de onde te vejo (2019). Installation view. Image courtesy of Instituto Tomie Ohtake. Photo by Ricardo Miyada Instituto

À Nordeste À Nordeste

À Nordeste

Curated by Bitu Cassundé, Clarissa Diniz and Marcelo Campos

Sesc 24 de Maio São Paulo, Brazil 05/15/2019 – 08/25/2019

“Northeast of what?” The question and provocation by Yuri Firmeza is what motivated the exhibition À Nordeste, that Sesc 24 de Maio is hosting. Curated by Bitu Cassundé, Clarissa Diniz and Marcelo Campos, it features a selection of 275 unique artworks, from a wide range of languages and on a diversity of supports, from mud

À Nordeste (2019). Installation view. Image courtesy of Sesc 24 de Maio À Nordeste (2019). Installation view. Image courtesy of Sesc 24 de Maio À Nordeste (2019). Installation view. Image courtesy of Sesc 24 de Maio “Northeast of what?” The question and provocation by Yuri Firmeza is what motivated the exhibition À Nordeste, that Sesc 24 de Maio

When I die I will take nothing, those who owe me I will charge in hell When I die I will take nothing, those who owe me I will charge in hell

When I die I will take nothing, those who owe me I will charge in hell

Curated by Solange Farkas and Gabriel Bogossian

Galpão VB | Associação Cultural Videobrasil São Paulo, Brazil 04/06/2017 – 06/17/2017

A witty observer of the culture of his time, the Italian filmmaker Pier Paolo Pasolini sought to produce, in his films and texts, a critique of the then ongoing social transformations in Italy and a record of certain cultural practices that, according to him, were disappearing. In The Gospel According to St. Matthew (1964), for

Virginia de Medeiros, Cais do corpo, 2015. Video. Courtesy of the artist and Galeria Nara Roesler Runo Lagomarsino, La découverte de la Terre, 2017. Installation. Photo: Pedro Napolitano Prata. Courtesy of Associação Cultural Videobrasil Nada levarei quando morrer, aqueles que me devem cobrarei no inferno, at Galpão VB. Installation view. Photo: Pedro Napolitano Prata. Courtesy