Contemporary Art in the Americas Arte Contemporáneo en las Américas
M.A.P.A. (Modos de Ação para Propagar Arte). No Calor da Hora M.A.P.A. (Modos de Ação para Propagar Arte). No Calor da Hora

M.A.P.A. (Modos de Ação para Propagar Arte). No Calor da Hora

Curated by Patricia Wagner

VIVA Projects Brazil August 31, 2020 – October 25, 2020

Faced with a pandemic that makes the fragility of the Brazilian democratic process even more evident, the M.A.P.A.—Modes of Action to Propagate Art—launches its first ever edition with the show In the Heat of the Moment on August 31st bringing art to the public space and provoking reflections through art about social and political chaos.

Aline Motta (Rio Blanco) at M.A.P.A. (Modos de Ação para Propagar Arte). No Calor da Hora (2020).. Credits: Odair Leal Traplev (Salvador) at M.A.P.A. (Modos de Ação para Propagar Arte). No Calor da Hora (2020). Credits: Felipe Iruatã M.A.P.A. (Modos de Ação para Propagar Arte). No Calor da Hora (2020). Installation view. Image courtesy of VIVA Projects

Manjar. Ontem, Hoje, Agora Manjar. Ontem, Hoje, Agora

Manjar. Ontem, Hoje, Agora

Curated by Catarina Duncan

Solar Dos Abacaxis Rio de Janeiro, Brazil September 20, 2019 –

We’re all over a territory in dispute Starting from the principle of an adinkra (vocabulary of symbols of the Akan people of the present region of Ghana) called Sankofa, this Manjar returns to the past to re-signify the present and build the future. Yesterday, Solar’s activities began on December 8, 2015. Since then, 35 exhibitions

Traplev, Sampler after Sgazerla (2016). Installation view. Photo by Rafael Salim OPAVIVARÁ!, Cangaço, 2015. Installation view. Photo by Rafael Salim Manjar. Ontem, Hoje, Agora (2019). Installation view. Photo by Rafael Salim We’re all over a territory in dispute Starting from the principle of an adinkra (vocabulary of symbols of the Akan people of the present

Luto Tropical Luto Tropical

Luto Tropical

Curada por Paula Borghi

Pasto Galería Buenos Aires, Argentina 02/14/2019 – 03/30/2019

Artistas: Ariel Cusnir, Estefanía Landesmann, Fernanda Grigolin, Loca, Mônica Ventura, Raquel Nava, Thelma Vilas Boas, Thiago Honório, Traplev, Verena Smit y Zé Garcia Según las ideas expuestas por Sigmund Freud en su libro Duelo y Melancolía, el luto es —por regla general— la reacción frente a la pérdida de un ser querido o de una

Zé Garcia, Luto Tropical (2018-2019). Instalación de 53 piezas. Madera de muebles antiguos, pelos y plumas de animales. Imagen cortesía de Pasto Galería Mônica Ventura en Luto Tropical (2019). Vista de instalación. Imagen cortesía de Pasto Galería Luto Tropical (2019). Vista de sala. Imagen cortesía de Pasto Galería Artistas: Ariel Cusnir, Estefanía Landesmann, Fernanda Grigolin, Loca, Mônica

newflags among pedagogical cushions newflags among pedagogical cushions

newflags among pedagogical cushions

Traplev

São Paulo, Brazil 04/02/2017 – 06/03/2017

This exhibition offers a moment as an experience to be lived, not mediated and even less mediatized. Hence the need for an indeterminate zone beyond what is given, beyond the spectator and the work of art, beyond the sayable and visible, again: the reverse of the imaginary. Marked by excess and repetition, this exhibition is

Traplev, new flags among pedagogical cushions, 2017. Courtesy of Sé Galeria. Photo: Pedro Victor Brandão Traplev, new flags among pedagogical cushions, 2017. Courtesy of Sé Galeria. Photo: Pedro Victor Brandão Traplev, Pedagogical cushions – prototype 1 (in process) , 2017. First set of 17 cushions on furniture designed in collaboration with Daniel Acosta. Set of