Contemporary Art in the Americas Arte Contemporáneo en las Américas
Action/Abstraction Redefined

Action/Abstraction Redefined

George Morrison, Lloyd Kiva New, T.C. Cannon, Fritz Scholder, and more...

IAIA Museum of Contemporary Native Arts Santa Fe, New Mexico, United States 07/28/2017 – 07/07/2019

Action/Abstraction Redefined features paintings, sculptures and works on paper from the IAIA Museum of Contemporary Native Arts (MoCNA) permanent collection created in the 1960s and 1970s. The artists in this exhibition challenged stereotypical expectations of Indian art by experimenting with American modern art movements such as Abstract Expressionism, Color Field, and Hard-edge Painting combined with art

Neil Parsons (O’mahk-Pita, Tall Eagle) (Piikani), Pueblo Forms #2 (1965) Acrylic on canvas. MoCNA Collection. Image courtesy of the Institute of American Indian Arts T. C. Cannon (Caddo/Kiowa), Firelights, ca. (1965). Oil on canvas. MoCNA Collection. Image courtesy of the Institute of American Indian Arts Kevin Red Star (Running Rabbit) (Crow), Drawing (1965). Oil, turpentine on

SITElines 2016 SITElines 2016

SITElines 2016

By Natalia Valencia New Mexico, USA 07/01/2016 – 01/31/2017

MUCH WIDER THAN A LINE SITELINES SANTA FE 2016 Curated by Rocío Aranda-Alvarado, Kathleen Ash-Milby, Pip Day, Pablo León de la Barra and Kiki Mazzucchelli “Brighter than several suns at midday” was how Manhattan Project nuclear program director General Leslie Groves described the impact of the first controlled nuclear test in history, 1945’s “Operation Trinity,”

Anfiteatro de Paolo Soleri, ca. 1975 Mucho más amplio que una línea (much wider than a line) SITElines Site Santa Fe 2016 Curadores: Rocío Aranda-Alvarado, Kathleen Ash-Milby, Pip Day, Pablo León de la Barra, Kiki Mazzucchelli “Más luminoso que varios soles al mediodía” es como describió el director del programa nuclear Manhattan Project, el general