Contemporary Art in the Americas Arte Contemporáneo en las Américas
No te pierdas las exposiciones de las artistas Yolanda Ceballos y Gwladys Alonzo en la Galería Hilario Galguera. No te pierdas las exposiciones de las artistas Yolanda Ceballos y Gwladys Alonzo en la Galería Hilario Galguera.

No te pierdas las exposiciones de las artistas Yolanda Ceballos y Gwladys Alonzo en la Galería Hilario Galguera.

Galería Hilario Galguera CDMX September 6, 2019 – November 11, 2019

Cinco de septiembre de dos mil dieciséis. Terreno #42 Yolanda Ceballos El vicio del peso  Gwladys Alonzo September 6 – November 11, 2019 Calle Francisco Pimentel 3, San Rafael, 06470 CDMX More information: Facebook / Instagram / Twitter Cinco de septiembre de dos mil dieciséis. Terreno #42 Yolanda Ceballos I. When remembering, something ceases to exist. II. A life in remembrance

Cinco de septiembre de dos mil dieciséis. Terreno #42 Yolanda Ceballos El vicio del peso Gwladys Alonzo Septiembre 6 – noviembre 11, 2019 Calle Francisco Pimentel 3, San Rafael, 06470 CDMX Más información:   Facebook / Instagram / Twitter      Cinco de septiembre de dos mil dieciséis. Terreno #42 Yolanda Ceballos I. Al recordar, algo deja de existir. II. Una vida

Recognize My Sign Recognize My Sign

Recognize My Sign

Nicolas Moufarrege

Contemporary Arts Museum Houston Houston, Texas, USA 11/10/2018 – 02/17/2019

During a career that lasted just over a decade, Nicolas Moufarrege (1947-1985) created an original and idiosyncratic body of embroidered paintings. Recognize My Sign—the artist’s first solo museum exhibition—traces the development of his work from the lap-scaled portrait-tapestries he produced in Beirut, Lebanon in the early-1970s to the final works he created in New York

Nicolas Moufarrege, Narcissix of One and Nick’s of the Other, 1983. Thread, pigment, glitter, and brooches on needlepoint canvas. Image courtesy CAMH. Photo by Emily Peacock Nicolas Moufarrege, The Fifth Day, 1980. Thread and pigment on needlepoint canvas. Collection of George Waterman, III. Image courtesy CAMH. Photo by Emily Peacock Nicolas Moufarrege, Title unknown, 1985. Thread,

No Turns No Turns

No Turns

Brittney Anele, Luis Miguel Bendaña, Libby Black, Steven Evans, Lovie Olivia and Robert Raphael

Jonathan Hopson Gallery Houston, Texas, USA 06/10/2018 – 07/29/2018

Jonathan Hopson Gallery presents No Turns, a group exhibition celebrating Pride and the rich history of our Montrose neighborhood. The title references a sign restricting traffic on our street—“No Turns 7 PM–6 AM”. The sign and others like it were originally installed in an effort to curb “cruising” through Montrose, historically known as the center of

Group show. Exhibition view of No Turns at Jonathan Hopson Gallery, Houston, Texas, USA, 2018. Courtesy of Jonathan Hopson Gallery Group show. Exhibition view of No Turns at Jonathan Hopson Gallery, Houston, Texas, USA, 2018. Courtesy of Jonathan Hopson Gallery Group show. Exhibition view of No Turns at Jonathan Hopson Gallery, Houston, Texas, USA, 2018. Courtesy of Jonathan Hopson Gallery Jonathan

Paintings for the people of Houston Paintings for the people of Houston

Paintings for the people of Houston

Brad Phillips

Jonathan Hopson Gallery Houston, Texas, USA 05/21/2018 – 06/03/2018

I am a nice guy. I really did make (these paintings) so the people of Houston could enjoy looking at them. — Brad Phillips ___ Brad Phillips (b. Toronto, Canada, 1974): Solo exhibitions of his work have been held at Allen & Eldridge, New York; Rod Bianco Gallery, Oslo; Harper’s Books, East Hamptons; 8-11, Toronto;

Brad Phillips. Installation view of Paintings for the people of Houston, at Jonathan Hopson Gallery, Houston, Texas, USA, 2018. Courtesy of Jonathan Hopson Gallery Brad Phillips. Installation view of Paintings for the people of Houston, at Jonathan Hopson Gallery, Houston, Texas, USA, 2018. Courtesy of Jonathan Hopson Gallery Brad Phillips. Installation view of Paintings for the people of Houston, at Jonathan Hopson Gallery,

The Toad The Toad

The Toad

Bucky Miller

Jonathan Hopson Houston, Texas, USA 03/11/2018 – 04/22/2018

I do not know the Toad, even though it has lived in a crack outside my apartment since I moved to Texas. On warm nights it crawls up and sits on a step, completely still, waiting. When I come home in the evening I crouch and say, “hello Toad,” before I go indoors. Sometimes I’ll

Installation view: (to the left) Goblin, 2016. Air-hardening clay. 2”x1.5”x1.5”; (to the right) Janitor, 2018. Pigment print (framed). 4”x2.6”. Image courtesy of Jonathan Hopson Gallery Installation view: Bucky Miller, The Toad at Jonathan Hopson Gallery. Image courtesy of Jonathan Hopson Gallery Installation view: (to the left) Tennis, 2017. Pigment print (framed). 10 x 8”; (to

Campions

Campions

Curated by Debra Barrera

Jonathan Hopson Gallery Houston, Texas, USA 09/10/2017 – 10/15/2017

Jonathan Hopson is pleased to present Campions, a group show curated by Debra Barrera featuring work by six artist who . While diverse in their style, the works by Brittney Anele, Linda Arredondo, Steven Evans, Jamil Hellu, Liz Rodda, and Talia Shulze. The American ideology of difference has shifted. A recent change has emerged for acceptance of the marginalized

Talia Shulze, rose+lily, 2017. C print, framed. 16 x 20”. Image courtesy of Jonathan Hopson. Installation view. Campions at Jonathan Hopson, 2017. Image courtesy of Jonathan Hopson. Installation view: Brittney Anele, Chained Jumper, 2017. Handmade garment. 57 x 32 x 1″. Image courtesy of Jonathan Hopson Jonathan Hopson is pleased to present Campions, a group show curated by Debra Barrera featuring

Coyote Coyote

Coyote

Curated by Jonathan Hopson

Jonathan Hopson Houston, Texas, USA 06/18/2017 – 07/30/2017

Jonathan Hopson presents Coyote, a summer group show curated by Jonathan Hopson uniting six artists who, all living or born in Texas, imbue their work with the spirit of this state: a strange breed of vicious independence and quiet perseverance. While diverse in their styles, the works by Debra Barrera, Julie DeVries, Lauren Moya Ford, Erin Joyce, Bradley Kerl, and

Installation view. Courtesy of Jonathan Hopson, Houston. Installation view. Courtesy of Jonathan Hopson, Houston. Debra Barrera, Blanquita, 2017. Antique ceramic hand vase, silver thread, coyote fangs. 11 x 4 x 2”. Courtesy of Moody Gallery Jonathan Hopson presents Coyote, a summer group show curated by Jonathan Hopson uniting six artists who, all living or born in Texas, imbue their

Bajo el volcán Bajo el volcán

Bajo el volcán

Gwladys Alonzo

guerrero-projects Houston, Texas, USA 06/02/2017 – 06/03/2017

To illustrate the narrative, Gwladys Alonzo projects the viewer to the heart of a drunkenness in Mexico. The structure of the exhibition unites recollections of the past like long immersions in the Mexican countryside, the work reminiscent of her voyages by train from Monterrey to Los Mochis, to those months spent in Oaxaca on the

Hueco no 1, 2017. Mirror, construction sand, concrete, spray paint. 65 cm x 30 cm. Courtesy of the artist. Installation view. Gwladys Alonzo, Bajo el volcán. guerrero-projects, 2017. Courtesy of the artist. Installation view. Gwladys Alonzo, Bajo el volcán. guerrero-projects, 2017. Courtesy of the artist. To illustrate the narrative, Gwladys Alonzo projects the viewer to

Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 at the Museum of Fine Arts, Houston Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 at the Museum of Fine Arts, Houston

Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 at the Museum of Fine Arts, Houston

By Patricia Restrepo Houston, Texas, USA 03/05/2017 – 05/21/2017

The debut presentation of Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 at the Museum of Fine Arts, Houston (MFAH) is the most comprehensive and (self-declared) significant presentation of modern and contemporary Cuban art shown in the United States since 1944, when Modern Cuban Painters was mounted at the Museum of Modern Art in New York.

Muro de pósters cubanos a la entrada de la exhibición. Cortesía CIFO y Ella Fontanals-Cisneros La presentación de Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 en el Museo de Bellas Artes de Houston (MFAH) es la más completa y (autodeclarada) significativa presentación de arte cubano contemporáneo y moderno exhibida en los Estados

Menina

Menina

Debra Barrera

Moody Gallery Houston, Texas, USA 04/08/2017 – 05/13/2017

Menina is a collection of works inspired by two rooms in my childhood home: the formal living and dining room. These rooms were decorated by my mother and filled with opulence and ornamentation; paintings of faux Dutch still life, gold tassels hanging from lamp shades, and pistachio green velvet pillows. Rarely used, the rooms became

Mariah and Marie Laurencin, 2017. Archival print on granite. 7 x 4″. Courtesy of the artist. Installation view. Courtesy of the artist. Versailles, 2017. After Alexandre Benois’ painting The King Walked in Any Weather, from the series The Last Walks of King Louis XIV, 1898. Graphite on paper, velvet. 25″ x 30″. Courtesy of the