Contemporary Art in the Americas Arte Contemporáneo en las Américas
The Lulennial II: A Low-Hanging Fruit The Lulennial II: A Low-Hanging Fruit

The Lulennial II: A Low-Hanging Fruit

Curated by Andrew Berardini and Chris Sharp

Lulu Mexico City, Mexico February 6, 2018 – April 1, 2018

Artists: Yuji Agematsu, Kelly Akashi, Derya Akay, Nina Beier, Luis Miguel Bendaña, Meriem Bennani, Matthew Brannon, Donna Conlon & Jonathan Harker, Rodrigo Hernandez, Jef Geys, Allison Katz, Adriana Lara, Nancy Lupo, Nevine Mahmoud, Aliza Nisenbaum, Naufus Ramirez-Figueroa, Shimabuku, Peter Shire, Gabriel Sierra, Erika Verzutti, Maja Vukoje, Amelie von Wulffen Lulu presents the second edition of

Group show. Installation view of The Lulennial II: A Low-Hanging Fruit, at Lulu, Mexico City, 2018. Courtesy of Lulu Nina Beier, Scheme, 2014. Produce from online organic fruit and vegetable box scheme, dimensions variable. Courtesy of Lulu Group show. Installation view of The Lulennial II: A Low-Hanging Fruit, at Lulu, Mexico City, 2018. Courtesy of Lulu

encore mode encore mode

encore mode

Curated by Noah Barker

Lodos Mexico City, México 04/29/2017 – 06/10/2017

Artists: Rainer Ganahl, Joseph Grigely and the Hans Ulrich Obrist Archive Team, Falke Pisano, Jackson Pollock Bar, Carissa Rodriguez, Ramaya Tegegne, Amelie von Wulffen, Lawrence Weiner The title of the exhibition was formed in miscommunication between Noah Barker and curator Mark Beasley. Beasley suggested that one (curator/artist) is in a perpetual on-call mode, ceding to the demands of an art super structure. Failure

Joseph Grigely and the Hans Ulrich Obrist Archive Team, Kringel Obsession, 1988-2006. Courtesy of Lodos, Mexico City. Photo: Ramiro Chaves, White Balance Rainer Ganahl, Seminar/Lecture, Danh Vo, Elena Filipovic, Danh Vo in conversation with Elena Filipovic, Artist Space, New York 9/18/2010 (detail), 2010. 4 Photographs, Inkjet on archival photographic paper. 53 x 63 cm each.

Amelie Von Wulffen Amelie Von Wulffen

Amelie Von Wulffen

Freedman Fitzpatrick Los Angeles, California, USA 03/22/2015 – 05/02/2015

Identikit children in search of their own childhoods line the walls. Children with shit stained hands booty dance through a splin- tered landscape. A werewolf girl goes for drinks in the night. A decapitated sheep foregrounds naughty children. Spliced elements of pre- and early modernism are layered atop each other. The symbols are shaped to

Identikit children in search of their own childhoods line the walls. Children with shit stained hands booty dance through a splin- tered landscape. A werewolf girl goes for drinks in the night. A decapitated sheep foregrounds naughty children. Spliced elements of pre- and early modernism are layered atop each other. The symbols are shaped to