6. Year 2012. Twelve screen prints picturing different representatives of organizations seeking claims and spaces for citizenship. In 2004 we worked out of the Escuela Móvil de Saberes y Práctica Social at a regional event with funding from a state arts grant. With the insertion of the workshop format in the field of artistic and social impact and after our initial experiences with the project, in 2012 we proposed a space for the critical rereading of history that would start from the different points of view of its participating agents in an environment where they could share their own politics, ideologies, and experiences between symbolic and representative possibilities, while taking into account the visual, the active, and actions. The screen prints were the result of this workshop.
7. Years 1997-2012. Selection of videos from Helena’s archive. The documentation (texts, photographs, and video) of a series of actions were presented on a monitor. This section connected with the festival’s five documentary exhibitions that took place between 2003 and 2015, including: the curatorial discourse of Six Lines of Flight: Shifting Geographies in Contemporary Art, curated by Apsara DiQuinzio at SFMoMA, San Francisco, USA, 2012; and the exhibition El mundo tal como es, el mundo como podría ser, curated by Julieta González, DIXIT, arteBA, Buenos Aires, 2015.