Blog - San José - Costa Rica
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12.01.2021
San Jose, Costa Rica
November 6, 2020 – February 27, 2021
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Sila Chanto, Bitácora de los oficios, 1987-2001. San José, ca. 2001, s/p. Fragmentos seleccionados por la artista, enviados a Virginia Pérez-Ratton. Archivo de Centro de Estudio y Documentación, Lado V, TEOR/éTica.
Eduardo Muñoz, La bestia es algo personal, La República, San José, 8 de enero de 1999.
Sila Chanto, IN-hábito, en Grana. Taller de Estampa. Presenta IN-HABITO, San José, 1998.
Montserrat Meléndez, Xilografías de Sila Chanto. El poder detrás de cada imagen, Tiempos del mundo, San José, 28 de enero de 1999, p. A10.
Sila Chanto, Ibid.
Sila Chanto, La exhumación de la memoria, 1997
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11.08.2022
Reports
Daniel Godínez Nivón, Helena Lugo
Curator Helena Lugo talks to Daniel Godínez Nivón, who represents Mexico at the 23rd Milan Triennale.
04.08.2022
Reports
Tania Safura Adam Mogne
The representation and participation of the Global South at the Venice Biennale serves as a starting point for the reflection that Tania Adam Mogen constructs: the possibility of works that tighten the rules of the game and blur the boundaries between art, politics and radical imagination.
29.07.2022
Extract
Sara Garzón, Ximena Garrido-Lecca
EXTRACT is an online section where we share some of the texts published by Temblores Publicaciones, Terremoto’s publishing house. We present the tenth extract of this section, “Vegetal Becomings” by Sara Garzón, from Botanical Readings: Erythroxylum Coca. This publication is a retrospective review of the installation Botanical Readings: Erythroxylum Coca by Ximena Garrido-Lecca exhibited at proyectoamil, Lima, Peru, in 2019.
23.07.2022
Projector
”What do I have in common with the current fetishizing setting in Buenos Aires and in an LGBT movement that is not me?” asks Florencia Mamani in her third installment of projector “Intersex Andean when not wanting to be fetishized.”
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