05.12.2020
The present and painful thing about González’s work is that we would like her to show us the past, when in fact she reveals a present that has not completely taken charge of the social trauma that we are going through as Colombians.
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A retrospective curated by María Inés Rodríguez had already been held with the support of three institutions, CAPC, musée d’art contemporain de Bordeaux, Museo Nacional Centro de Arte Reina Sofía, Madrid, and KW Institute for Contemporary Art, Berlin, which toured the three spaces between 2017 and 2019. In Colombia, the Museum of Modern Art of Medellín, MAMM, presented the exhibition Beatriz González. La Comedia y la tragedia. Retrospectiva 1948-2010 (Medellín, 2011-2012).
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26.01.2023
Projector
Celeste Onaindia, Andrea Guzmán, Diego Trerotola
As part of our Projector section, the International LGBTIQ+ Film Festival Asterisco has made a selection of three short films from its latest edition.
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Opinion
R.I.C.O. R.O.B.O.
The latinx collective R.I.C.O. R.O.B.O. narrates a story based on WhatsApp messeges to reflect on the concept of Latin and the politics of resistance through memory.
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Ongoing
Mateus Nunes
Igor Vidor’s Animal Ferido at VERVE, São Paulo
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Reports
Helena Lugo
Open to the public at Proyecto Público Prim
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