Ruberta, Glendale, California, USA January 20, 2018 - February 18, 2018
Elsa-Louise Manceaux (Paris, 1985) works primarily in drawing and painting. The formal concerns present in her work evolved from Manceaux’s personal interest into the history of satire, comics and narrative humor – tracing dichotomous relations between the concepts of progress and synthesis, information and deformation, drawing and subversiveness, as the underlining scope for the way she treats the subjects of her pictures.
Diego Salvador Rios (Mexico City, 1988) is an artist and researcher. His production is based on the poetic production in terms of language and relationships, for this he explores the intersection between art and curatorial practices, mainly through the construction of collective situations and experiences that investigate the politics of representation and the production of knowledge.
Elsa-Louise Manceaux (Paris, 1985) works primarily in drawing and painting. The formal concerns present in her work evolved from Manceaux’s personal interest into the history of satire, comics and narrative humor – tracing dichotomous relations between the concepts of progress and synthesis, information and deformation, drawing and subversiveness, as the underlining scope for the way she treats the subjects of her pictures.
Diego Salvador Rios (Mexico City, 1988) is an artist and researcher. His production is based on the poetic production in terms of language and relationships, for this he explores the intersection between art and curatorial practices, mainly through the construction of collective situations and experiences that investigate the politics of representation and the production of knowledge.
