Contemporary Art in the Americas Arte Contemporáneo en las Américas
Solid Abstraction. Disobedience strategies in contemporary Cuban art Solid Abstraction. Disobedience strategies in contemporary Cuban art

Solid Abstraction. Disobedience strategies in contemporary Cuban art

Curated by Aldeide Delgado

Miami Biennale Miami, Florida, USA 04/19/2018 – 05/25/2018

Miami Biennale and Henrique Faria Fine Art present Solid Abstraction. Disobedience strategies in contemporary Cuban art featuring ten Cuban artists that work with different media ranging from painting, photography, installation, sculpture to site-specific interventions, and adopt methodologies from diverse disciplines, including anthropology, sociology, history, graphic design, data analysis and architecture, and urbanism. Solid Abstraction. Disobedience

Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale, Miami, 2018. Cortesía Alejandro Taquechel Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale, Miami, 2018. Cortesía Alejandro Taquechel Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale,

#00Bienal de La Habana: Aldeide Delgado en conversación con Yanelys Núñez y Luis Manuel Otero #00Bienal de La Habana: Aldeide Delgado en conversación con Yanelys Núñez y Luis Manuel Otero

#00Bienal de La Habana: Aldeide Delgado en conversación con Yanelys Núñez y Luis Manuel Otero

por Aldeide Delgado La Habana, Cuba 05/05/2018 – 05/15/2018

Havana #00Biennial: Aldeide Delgado in conversation with Yanelys Núñez and Luis Manuel Otero Beyond the Political: The Human, Love and Creation Recognized as the most significant event of the visual arts in Cuba, the reactions to the cancellation of the 13th Havana Biennial due to the effects of hurricane Irma on Cuban cultural institutions did

Imagen tomada de Instagram (usuario: @luzzescobar) Más allá de lo político: lo humano, el amor y la creación Reconocido como el evento más significativo de las artes visuales en Cuba, las reacciones ante la cancelación de la 13ª Bienal de La Habana debido a los efectos del huracán Irma en las instituciones culturales cubanas no

Other Situations: Liliana Porter at SCAD Museum of Art, Savannah, Georgia Other Situations: Liliana Porter at SCAD Museum of Art, Savannah, Georgia

Other Situations: Liliana Porter at SCAD Museum of Art, Savannah, Georgia

by Aldeide Delgado Savannah, Georgia, USA 08/17/2017 – 01/07/2018

  Reclaiming Subjectivity in the Museum In the prologue of A Brief History of Curating, Christophe Cherix claims that while the “modern figure of the art critic has been widely recognized since Diderot and Baudelaire, the curator’s true raison d’être remains largely undefined.” Exhibition curation as a field of study continues to be a relatively

Trabajo Forzado/Forced Labor (mujer barriendo) [Sweeping Woman], 2004- 2017. Figurín en estante de madera y polvo de aspiradora. Cortesía de la artista y SCAD Museum of Art. Pensar la subjetividad en el museo En el prólogo del libro Breve historia del comisariado Christophe Cherix plantea que si bien la figura moderna del crítico de arte