Logo

29/08/2024

Sumie García inaugurates 𝕃𝔸𝕊 𝔻𝔼ℝℝ𝕆𝕋𝔸𝕊 at LTRL

Imagen principal

Navigating through medieval navigation charts, landscape abstractions, colonial truths, and islets emerging from the ocean floor, artist and filmmaker Sumie García presents us with a provocation: how to start looking for an inexistent island ? How to represent a ghost territory? Through photographic exercises with embroidery, video, and still images, the artist repeatedly confirms that if maps hold any certainty, it is that there is none.

Sumie García's work has been exploring the mythological, imaginary,  mediatic, and colonial apparatus of Bermeja Island; a phantom islet represented in various historical documents that place it over 100 kilometers northwest of the Yucatán Peninsula. Despite finding a spot on maps, its absence has been speculated to be a cartographic error, a conspiracy theory involving the CIA dynamiting this land, or the island sinking due to the melting of the polar ice caps.

Amid these speculations and the folds of visibility and invisibility, Las derrotas emerges; a series of exercises that appeal to the ghostly nature of the territory, but also to the possibilities of the image, its representations, and the narratives in which we find ourselves trapped. Using the aesthetics of 14th and 15th-century port cartography, Sumie creates cloud-islands, wind-islands, wave-islands, tracing routes to search for a territory that refuses to appear not only because it is nowhere but because it is inhabited by ghosts that remind us that islands may or may not happen; that maps account for a very fragmented view of reality, and that the worlds we inhabit are more fictional than real.

However, the defeat Sumie proposes implies a double reading beyond the failure that maps imply. In maritime navigation, the route intended to be followed is traced, but the actual course taken, due to currents, winds, or instrumental errors, in Spanish is called a derrota (defeat). Thus, these images become a sort of political and poetic quest without a fixed course. A spell to find lost territories; places lost on the inescapable coast of a distant island.

Accepting defeat is to follow the route as someone who has lost their way and lets themselves be carried by the tide. That route is also destiny, a ritual practice where image and embroidery invite us to conceive other kinds of islands.

Navigating through medieval navigation charts, landscape abstractions, colonial truths, and islets emerging from the ocean floor, artist and filmmaker Sumie García presents us with a provocation: how to start looking for an inexistent island ? How to represent a ghost territory? Through photographic exercises with embroidery, video, and still images, the artist repeatedly confirms that if maps hold any certainty, it is that there is none.

Sumie García's work has been exploring the mythological, imaginary,  mediatic, and colonial apparatus of Bermeja Island; a phantom islet represented in various historical documents that place it over 100 kilometers northwest of the Yucatán Peninsula. Despite finding a spot on maps, its absence has been speculated to be a cartographic error, a conspiracy theory involving the CIA dynamiting this land, or the island sinking due to the melting of the polar ice caps.

Amid these speculations and the folds of visibility and invisibility, Las derrotas emerges; a series of exercises that appeal to the ghostly nature of the territory, but also to the possibilities of the image, its representations, and the narratives in which we find ourselves trapped. Using the aesthetics of 14th and 15th-century port cartography, Sumie creates cloud-islands, wind-islands, wave-islands, tracing routes to search for a territory that refuses to appear not only because it is nowhere but because it is inhabited by ghosts that remind us that islands may or may not happen; that maps account for a very fragmented view of reality, and that the worlds we inhabit are more fictional than real.

However, the defeat Sumie proposes implies a double reading beyond the failure that maps imply. In maritime navigation, the route intended to be followed is traced, but the actual course taken, due to currents, winds, or instrumental errors, in Spanish is called a derrota (defeat). Thus, these images become a sort of political and poetic quest without a fixed course. A spell to find lost territories; places lost on the inescapable coast of a distant island.

Accepting defeat is to follow the route as someone who has lost their way and lets themselves be carried by the tide. That route is also destiny, a ritual practice where image and embroidery invite us to conceive other kinds of islands.


Estudio Marte: open call for artistic residency

30.06.2025
México

Bosque Pehuén Residency Program 2025: "For nature, what is human?"

17.06.2025
Chile

Tasting the World Without Getting Pricked until September 14th

12.06.2025
None

Pérez Art Museum Miami: digital art open call is open

09.06.2025
Estados Unidos

Last chance to visit the Sharjah Biennial 16th

02.06.2025
Emiratos Árabes Unidos

"From a Bird’s Lap" opens on June 7th at MUAC

02.06.2025
México

Last days to apply for the Mariela Vanessa Award for emerging women writers!

29.05.2025
None

“The act of being together” José Dávila's artwork on Desert X

26.04.2025
Estados Unidos

First exhibition by Felipe Baeza in kurimanzutto: to feel a then and there

23.04.2025
México

Mark your calendars for April Acts, taking place from 18th-20th April 2025.

14.04.2025
Emiratos Árabes Unidos

Open call for Materia Abierta 2025

14.04.2025
México

The fifth edition of Desert X across the Coachella Valley.

14.04.2025
Estados Unidos

Ibghy & Lemmens exhibition opens at Móvil in Buenos Aires on march 22

19.03.2025
Cuba

Espacio218 opens its call for exhibitions 2025

17.03.2025
Cuba

30 Years in the Art World: A Review of the FEMSA Biennial

07.03.2025
Estados Unidos

Argentina in ARCOmadrid and UVNT Art Fair

03.03.2025
Estados Unidos

Artlab Editorial Fellowship Open Call Closes Soon!

24.02.2025
Estados Unidos

The 2025 Artlab Editorial Fellowship Open Call is now live!

12.02.2025
Estados Unidos

Feria Material Returns for its 11th Edition

05.02.2025
México

Sharjah Biennial Launches its 16th Edition

03.02.2025
Emiratos Árabes Unidos

Join the “Encuentro Nacional de Arte Joven 2025”!

03.02.2025
México

12 Argentinian galleries in Mexico City Art Week

01.02.2025
Argentina

Salón ACME Returns with its 12th Edition

28.01.2025
México

ZⓈONA MACO Celebrates its 21st Edition

16.01.2025
México

Artium Museoa presents its 2025 program

08.01.2025
España

📅 A 10-year journey that ends with a bang! Leiden at the Teatro de la Ciudad

28.11.2024
None

Interplanetary Simulations

26.11.2024
None

Concordia Studio Presents: 05:59

22.10.2024
Colombia

Call for Applications Closes October 21! Project Parutz’

19.10.2024
None

Surf and Turf - Milena Muzquiz

16.10.2024
None
Cargar Más