Replicas in transit: Heritage and Institutional Criticism from La Pila (Ecuador) to the Museo de América (Spain)

María Elena Bedoya and Pamela Cevallos write about the tension between replicas and originals within indigenous material culture as a consequence of their use in the creation of national patrimonies and collections that found dominant discourses and neocolonial dynamics of circulation and exhibition.

You need to register to keep reading

You have read 3 articles this month to continue to read our content uninterrupted create a FREE USER ACCOUNT.



  1. Eric Hobsbawm and Terence Ranger, La invención de la tradición (Barcelona: Crítica, 2002).

  2. Llorenç Prats. “Concepto y gestión del patrimonio local” in Cuadernos de antropología social, Buenos Aires, (July 2005), n.21, p. 17–35. <http://www.scielo.org. ar/scielo.php?script=sci_ arttext&pid=S1850-275X2005000100002 &lng=es&nrm=iso>. [Accesed January 16, 2019].

  3. Barbara Kirshenblatt-Gimblett, “Theorizing Heritage” in Ethnomusicology, Vol. 39, N. 3, 1995, pp. 367–380.

  4. Jerome de Groot, Consuming History. Historian and Heritage in Contemporary Popular Culture (London: Routledge, 2016).

  5. Pamela Cevallos has developed several projects in La Pila community since 2015. In 2018 she carried out the Museo Histórico y Artesanal La Pila project with a creation grant of the Premio Mariano Aguilera. The project consisted of an implementation of a permanent museum consisting of a collection of replicas donated by artisans and the community. More information: https://www.la-scolaris.org/ museohistoricoyartesanallapila.

  6. Frida Gorbach and Mario Rufer, coords. (In)disciplinar la investigación. Archivo, trabajo de campo y escritura (Mexico: Universidad Autónoma Metropolitana and Siglo XXI, 2016).

  7. The title of this work parodies the classic work of the Ecuadorian historian Federico González Suárez written in 1914 called Advertencias para buscar, coleccionar y clasificar objetos arqueológicos pertenecientes a los indígenas antiguos pobladores del territorio ecuatoriano, Quito: Imp. del Clero.

  8. Mario Rufer, “El patrimonio envenenado: una reflexión ‘sin garantías’ sobre la palabra de los otros” in (In)disciplinar la investigación. Archivo, trabajo de campo y escritura, Frida Gorbach and Mario Rufer, coords. (Mexico: Universidad Autónoma Metropolitana and Siglo XXI, 2016).


There are no coments available.

filter by


Geographic Zone


Sorry, this entry is only available in European Spanish.