05.08.2020
YOPE Projects, Oaxaca, Mexico
July 3, 2020
Diego Teo, Primavera 2020 (2020). Vista de instalación. Imagen cortesía de Yope Projects
Diego Teo, Primavera 2020 (2020). Vista de instalación. Imagen cortesía de Yope Projects
Diego Teo, Primavera 2020 (2020). Vista de instalación. Imagen cortesía de Yope Projects
When I’m nervous, whenever I feel something happening that puts my body through a painful tremble, I doodle to relieve the stress.
In the midst of quarantine, I embrace drawing through lines and scratches.
I call the old hag who multiplies, transforms, spits and bends over backwards.
She is the digestive experience of my days in lockdown. She talks with herself,
Lactating tits, skirts, bifid tongues, pearl collar, money that evaporates, serpent, facemask, mouth covered, big nose, crisp hair, distressed bodies, a witch trying to fly.
—Text by Diego Teo
—
https://www.artsteps.com/embed/5eab471c2359796f9cf165b1/560/315
https://www.instagram.com/yopeprojects/
share this:
07.10.2024
An archive of toys found in markets filled with past lives, a fabulation on imperfection, humor, and, above all, on time and its discoveries. Sebastián Villamil presents us with his ‘Museum of Fantasy’ for Marginalia 102
03.10.2024
Reports
Cristian Baena Cera
18.09.2024
Reports
Andrea Bustillos
After the biennials, what? Provoking and sustaining dialogue beyond the immediacy demanded by the search for false novelty is an exercise to which we have invited independent curator Andrea Bustillos. Seeing the conflict in its proper dimension without turning it into a white elephant that hides in the delirium of secrecy
14.09.2024
Projector
diana cantarey
Crude secrets about the Cantarell oil field, Mexico’s most prolific offshore oil reserve, are portrayed in reverse in the visionary documentary Pozo. The mysteries of the bastard family of the fisherman who discovered the country’s greatest energy treasure are accompanied in chorus by the intrigues, apparitions and petrosexoracial traumas of the inhabitants of Ciudad del Carmen, an island radically transformed by the voracious hydrocarbon industry. The chants of the gods of darkness, of crude oil and of the end of time, accompany and guide this return to the eternal source of emptiness.
Comments
There are no coments available.