17.11.2018
Por Fabiola Iza, Zacatecas, México
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The editorial, in charge of Nicolás Pradilla, as the same as the pedagogical programs began to develop several months before the opening of the exhibition projects, working closely with the local artistic community, both professional and student. The public program takes place a few weeks after the official opening of the Biennial and, under the format of a symposium, the discussion centers around the configuration of the biennials, analyzing examples from different latitudes.
Aware of simplifying the term, it talks about breaking down divisions and hierarchies within the way of presenting the different works.
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11.08.2022
Reports
Daniel Godínez Nivón, Helena Lugo
Curator Helena Lugo talks to Daniel Godínez Nivón, who represents Mexico at the 23rd Milan Triennale.
04.08.2022
Reports
Tania Safura Adam Mogne
The representation and participation of the Global South at the Venice Biennale serves as a starting point for the reflection that Tania Adam Mogen constructs: the possibility of works that tighten the rules of the game and blur the boundaries between art, politics and radical imagination.
29.07.2022
Extract
Sara Garzón, Ximena Garrido-Lecca
EXTRACT is an online section where we share some of the texts published by Temblores Publicaciones, Terremoto’s publishing house. We present the tenth extract of this section, “Vegetal Becomings” by Sara Garzón, from Botanical Readings: Erythroxylum Coca. This publication is a retrospective review of the installation Botanical Readings: Erythroxylum Coca by Ximena Garrido-Lecca exhibited at proyectoamil, Lima, Peru, in 2019.
23.07.2022
Projector
”What do I have in common with the current fetishizing setting in Buenos Aires and in an LGBT movement that is not me?” asks Florencia Mamani in her third installment of projector “Intersex Andean when not wanting to be fetishized.”
11.08.2022
Reports Milán Italy
Daniel Godínez Nivón, Helena Lugo
04.08.2022
Reports Venecia Italy
Tania Safura Adam Mogne
29.07.2022
Extract arte contemporáneo, Decoloniality, devenir, instalación, Lima, planta de coca, proyectoamil, Sara Garzón, Ximena Garrido-Lecca Latinoamérica, Mexico, Peru
Sara Garzón, Ximena Garrido-Lecca
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