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14.09.2015

Issue 3: Watching Worlds Collapse

Arden Decker

The Panic Man: Shock and Alejandro Jodorowsky’s Panic Theory

Shock and Alejandro Jodorowsky are synonymous. Those familiar with his films since the 1966 production Fando y Lis have come to expect this element in his works. But when and where did this aesthetic of shock originate? His Panic Theory -developed in the early 1960s- and its first visual expressions, the “panic ephemerals,” hold the keys.

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