dOCUMENTA has ceased to be a space of aesthetic confrontation and political critique, transforming instead into a geopolitical showcase. Its future depends on whether it can reclaim its symbolic power or, failing that, accept its dissolution. In this extensive essay, Mohammad offers a radical critique of the history and present of dOCUMENTA, pointing out how what was once conceived as a major exhibition of cultural reparation after Nazism has deteriorated into a bureaucratic, anesthetizing device serving the German state.
This text can be consulted in its original English version directly at this link:
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