Contemporary Art in the Americas Arte Contemporáneo en las Américas
Marginalia #51

Marginalia #51

Por Xandra Ibarra August 1, 2019 – August 31, 2019

Every month Marginalia invites an artist, curator or project to provide a series of images that will serve as the background of Terremoto, in relation to their practice and current interests. At the end of each month, the whole series of images is unveiled.   The imprint as a record of transit can mean numerous things and,

Marginalia consiste en la invitación mensual a unx artista, curadorx o proyecto a escoger una serie de imágenes para el fondo de la página de Terremoto en relación con su práctica e intereses del momento. A final de cada mes se revela el conjunto de las imágenes publicadas y un texto que las contextualiza.   La huella

Bienal de MexiCali 2018: CALAFIA, California, USA Bienal de MexiCali 2018: CALAFIA, California, USA

Bienal de MexiCali 2018: CALAFIA, California, USA

By Arden Decker California, USA 10/06/2018 – 12/15/2018

CALAFIA: Manifesting the Terrestrial Paradise The MexiCali Biennial, now presenting its fourth edition, is a bi-national initiative curated by Ed Gomez, Luis G. Hernández, Daniela Lieja Quintanar, and April Lillard-Gómez taking place in venues on both sides of the California-Mexican border throughout this year. The biennial opened earlier this summer with a two-day series of

Artwork by Luis Alonso Sanchez. Installation view, CALAFIA: Manifesting the Terrestrial Paradise at the Robert and Frances Fullerton Museum of Art. Image courtesy of the MexiCali Biennial CALAFIA: Manifestando el paraíso terrenal La Bienal de MexiCali, presentando ahora su cuarta edición, es una iniciativa binacional curada por Ed Gomez, Luis G. Hernández, Daniela Lieja Quintanar, y April