Contemporary Art in the Americas Arte Contemporáneo en las Américas
Bodega Run Bodega Run

Bodega Run

Tschabalala Self

Hammer Museum Los Angeles, California, USA 02/02/2019 – 04/28/2019

It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others. —W. E. B. Du Bois New York City is a patchwork quilt of distinct neighborhoods spread across all five boroughs and punctuated by renowned cultural and historic landmarks—the Empire State Building, the Statue of Liberty,

Hammer Projects: Tschabalala Self, installation view, Hammer Museum, Los Angeles. Photo: Joshua White Tschabalala Self, Bodega Run Diptych, 2017. Acrylic, watercolor, flashe, gouache, colored pencil, pencil, hand-colored photocopy, hand-colored canvas on canvas. Collection of the Luma Foundation, New York Tschabalala Self, Bodega Run, installation view, Pilar Corrias Gallery, London, September 7—27, 2017 It is a

Sour Patch Sour Patch

Sour Patch

Tschabalala Self

Thierry Goldberg Gallery Miami, USA 12/05/2017 – 01/14/2018

Known for her sewn collage and assemblage paintings, which boldly examine contemporary perspectives on femininity, race, and gender, Tschabalala Self’s new body of work further explores the environments of identity politics by focusing specifically on bodegas—public storefronts that serve as a hallmark of lower-income Black and Latinx communities throughout New York City. Bodegas, often locally

Tschabalala Self. Installation view of Sour Patch, Thierry Goldberg Gallery, Miami, 2017. Courtesy of Thierry Goldberg Gallery Tschabalala Self, Ice Cream, 2017. Hand-colored digital archive print on German etching paper, crayon, colored pencil, and watercolor, 21 1/2h x 16 1/2w in. Courtesy of Thierry Goldberg Gallery Tschabalala Self. Installation view of Sour Patch, Thierry Goldberg