Contemporary Art in the Americas Arte Contemporáneo en las Américas
Dysfunctional Formulas of Love Dysfunctional Formulas of Love

Dysfunctional Formulas of Love

Curated with Corazón Del Sol and Víctor Albarracín Llanos

The Box Los Angeles, California, USA 09/17/2017 – 11/04/2017

Artists: Andrés Felipe Uribe, Andrés Matute, Beatriz Eugenia Díaz, Breyner Huertas, Carlos Bonil, Carolina Caycedo, Corazón Del Sol, Eider Yangana, Eusebio Siosi, Gabriel Mejía, Gala Porras-Kim, Henry Palacio, Jennifer Rojas, Juan Guillermo Tamayo, Julio Giraldo, Liliana Vélez, Lorena Espitia, María Angélica Madero, María Buenaventura, María Isabel Rueda, María Mercedes Salgado, Mario Llano, Milena Bonilla, Mugre, Nicolás Vizcaíno, Richard Bent Cano, Tupac Cruz, Vanesa Ortiz, Víctor Albarracín Llanos, William Contreras Alfonso, Wilson Díaz, Yaron Michael Hakim Dysfunctional Formulas of Love brings together 32 Colombian artists in order

Carlos Bonil, Choral Machine: Routine #, 2017, Video animation, obsolete appliances, transformed computer speakers. Dimensions: variable. Courtesy: the artist and The Box, LA. Fredrik Nilsen Studio. Beatriz Eugenia Díaz, Aria No. 23 (left) & Aria No. 15 (right), 2017 (both). Video (left), oil on paper (right),4:44 mins (left), 13 x 69 inches (right). Courtesy: the

Prequel Dump

Prequel Dump

Nathaniel Mellors

The Box Los Angeles, California, USA 02/27/2016 – 04/09/2016

****Notes from the Perma-Present**** Prequel Dump is Nathaniel Mellors’ first solo exhibition at The Box. The installation combines the video works Ourhouse (2010-16), Neanderthal Container (2014) and Giantbum (2008) with the vomiting animatronic sculpture The Object (2010), new sculptures, photograms & paintings. ***BROWN REASONS TO LIVE*** Mellors’ epic scatological fantasies are full of wry-humour and

****Notes from the Perma-Present**** Prequel Dump is Nathaniel Mellors’ first solo exhibition at The Box. The installation combines the video works Ourhouse (2010-16), Neanderthal Container (2014) and Giantbum (2008) with the vomiting animatronic sculpture The Object (2010), new sculptures, photograms & paintings. ***BROWN REASONS TO LIVE*** Mellors’ epic scatological fantasies are full of wry-humour and