Contemporary Art in the Americas Arte Contemporáneo en las Américas
Feminist Histories: Artists after 2000

Feminist Histories: Artists after 2000

Curatorship by Isabella Rjeille

Museu de Arte de São Paulo Assis Chateaubriand São Paulo, Brazil September 22, 2019 – November 17, 2019

Every year MASP’s programme is guided by a thematic axis designed around different histories, created from different perspectives, including fictional and non-fictional, personal and documentary narratives, diverse mediums and distinct temporalities and territories. Histórias da infância (Histories of Childhood) was set up in 2016, followed by Histórias da sexualidade (Histories of Sexuality) in 2017 and Histórias afro-atlânticas

Monica Restrepo, Estatuas (Ella volverá en cualquier momento) (2012-2014). Installation view. Image courtesy of the artist Kaj Osteroth & Lydia Hamann, Staying with the trouble (2019). Credit: Kaj Osteroth & Lydia Hamann Tuesday Smillie, Again (2017). Installation view. Image courtesy of the artist. Credit: Charles Mayer Every year MASP’s programme is guided by a thematic axis

Campos de Invisibilidade

Campos de Invisibilidade

Curated by Cláudio Bueno and Ligia Nobre

Sesc Belenzinho São Paulo, Brazil 11/09/2018 – 02/03/2019

What is outside our field of vision does not cease to exist To open this exhibition with such a statement invites us to reflect on the ecology of problems mobilized by what we shall name here global technological infrastructure. Namely social, economic, technical, symbolic, spiritual, cultural, sexual, political, geographic, environmental aspects, all of which are

 Louis Henderson, Lettre du voyant (2013). Vídeo. Image courtesy of Agência Galo Campos de Invisibilidade (2018). Performance by Aretha Sadick. Photo credits: Marcos Cimardi Campos de Invisibilidade (2018). Installation view. Photo credits: Marcos Cimardi What is outside our field of vision does not cease to exist To open this exhibition with such a statement invites us to reflect on