Contemporary Art in the Americas Arte Contemporáneo en las Américas
TRAINS / PARIS LA TRAINS / PARIS LA

TRAINS / PARIS LA

Curated by Sterling Ruby

Night Gallery Los Angles, California, USA 08/23/2014 – 09/27/2014

  The exhibition will be laid out in lines. The exhibition will be hung in sequences breaking chronology. The exhibition will be formal, but not just shapes. Photography and sculptures are not the same thing, but they are companions. Some choose more, some choose less, everyone has to have at least two, and the boundaries

The exhibition will be laid out in lines. The exhibition will be hung in sequences breaking chronology. The exhibition will be formal, but not just shapes. Photography and sculptures are not the same thing, but they are companions. Some choose more, some choose less, everyone has to have at least two, and the boundaries are

Bathymetry Bathymetry

Bathymetry

Del Vaz Projects Los Angeles, California, USA 09/05/2014 – 11/22/2014

“The period we are entering is no longer a period after something: postcommunist, postmodernist, ‘postthis,’ or ‘postthat.’ The present era is ‘proto,’ but a preface to what, we do not know. Proto- is noncoercive, nonpredictive, and unaccountable: a mode of maybe. The future is a language without grammar, an unconscious without dreams, pure nothing. Inescapably

“The period we are entering is no longer a period after something: postcommunist, postmodernist, ‘postthis,’ or ‘postthat.’ The present era is ‘proto,’ but a preface to what, we do not know. Proto- is noncoercive, nonpredictive, and unaccountable: a mode of maybe. The future is a language without grammar, an unconscious without dreams, pure nothing. Inescapably

Abstracción de Cartón y Carnaval Abstracción de Cartón y Carnaval

Abstracción de Cartón y Carnaval

Jesus 'Bubu' Negron

Roberto Paradise San Juan, Puerto Rico 08/21/2014 – 09/27/2014

Abstracción de cartón y carnaval is Jesús ‘Bubu’ Negrón’s second solo exhibition at the gallery. With his characteristic predilection for everyday materials (“povera”), on this occasion Negrón threw himself to the streets to collect the cardboard boxes in which beers are transported from the factory to the different points of sale. On these boxes, and as

Roberto Paradise se complace en presentar Abstracción de cartón y carnaval, la segunda exposición individual de Jesús ‘Bubu’ Negrón en la galería. La inauguración de la exhibición se llevará a cabo el jueves, 21 de agosto, a las 7pm; la muestra se extiende hasta el sábado, 28 de septiembre de 2014. Su producción mas reciente,

Almas desposeídas, Ningún hombre fue mi hermano

Almas desposeídas, Ningún hombre fue mi hermano

Tomás Díaz Cedeño

Parallel Oaxaca Oaxaca, México 08/09/2014 – 09/07/2014

La exposición de Tomás Díaz Cedeño en Parallel Oaxaca, advierte y desarticula implicaciones inefables de solidez y físicalidad del espacio como un lenguaje visual propio. Reverberando rastros del azar y la temporalidad como una experiencia material actual para comunicarse y entender el mundo que nos rodea, el artista ha creado 3 esculturas que evocan al

La exposición de Tomás Díaz Cedeño en Parallel Oaxaca, advierte y desarticula implicaciones inefables de solidez y físicalidad del espacio como un lenguaje visual propio. Reverberando rastros del azar y la temporalidad como una experiencia material actual para comunicarse y entender el mundo que nos rodea, el artista ha creado 3 esculturas que evocan al

RE : pùblica RE : pùblica

RE : pùblica

Curated by Estelle Nabeyrat

Museu da Repùblica Rio de Janeiro, Brazil 07/13/2014 – 09/14/2014

If at times gazing out of the window invokes vertigo – just like the predecessors who lived in this place – to feel the void above the street might remind us of other use values. Antonio Clemente Pinto left Portugal for Rio de Janeiro hoping for a better futur. At the age of 25, he

If at times gazing out of the window invokes vertigo – just like the predecessors who lived in this place – to feel the void above the street might remind us of other use values. Antonio Clemente Pinto left Portugal for Rio de Janeiro hoping for a better futur. At the age of 25, he