Contemporary Art in the Americas Arte Contemporáneo en las Américas
21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities

21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities

São Paulo, Brazil October 9, 2019 – February 2, 2020

For more information visit: Sesc_Videobrasil Facebook / Instagram / Twitter The presence of nationalism as a means to understanding the disputes that mark our time. That is the background of the 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities, which will run from October 9, 2019 through February 2, 2020, at Sesc 24 de Maio, in São Paulo,

For more information visit: Sesc_Videobrasil Facebook / Instagram / Twitter The presence of nationalism as a means to understanding the disputes that mark our time. That is the background of the 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities, which will run from October 9, 2019 through February 2, 2020, at Sesc 24 de Maio, in São Paulo,

Jamais me olharás lá de onde te vejo Jamais me olharás lá de onde te vejo

Jamais me olharás lá de onde te vejo

Éder Oliveira, Regina Parra and Virginia de Medeiros

Instituto Tomie Ohtake São Paulo, Brazil August 8, 2019 – September 29, 2019

Instituto Tomie Ohtake’s Curatorial Design and Research Center has organized the eighth iteration of its Arte Atual (Current Art) program with artists Éder Oliveira, Regina Parra and Virgínia de Medeiros posing their reflections on portraiture as a pictorial genre and a way of recognizing subjects and assigning identity to them. The exhibition’s title—You Will Never

Jamais me olharás lá de onde te vejo (2019). Installation view. Image courtesy of Instituto Tomie Ohtake. Photo by Ricardo Miyada Jamais me olharás lá de onde te vejo (2019). Installation view. Image courtesy of Instituto Tomie Ohtake. Photo by Ricardo Miyada Jamais me olharás lá de onde te vejo (2019). Installation view. Image courtesy of Instituto Tomie Ohtake. Photo by Ricardo Miyada Instituto

Human Supremacy: The Failed Project

Human Supremacy: The Failed Project

Daniel Lie

Casa do Povo São Paulo, Brazil August 10, 2019 – September 29, 2019

Human Supremacy: The Failed Project is a site-specific installation thought as a votive offering to Casa do Povo. The work by Daniel Lie occupies two extremities of the building: the underground floor, where the former and currently deactivated TAIB theater is located, and the terrace, used for several different purposes on a daily basis. The

Daniel Lie, Human Supremacy: The Failed Project (2019). Installation view. Photo by Edouard Fraipont Daniel Lie, Human Supremacy: The Failed Project (2019). Installation view. Photo by Edouard Fraipont Daniel Lie, Human Supremacy: The Failed Project (2019). Installation view. Photo by Edouard Fraipont Human Supremacy: The Failed Project is a site-specific installation thought as a votive offering to Casa do Povo. The

We are Many: Experiments in Collectivity We are Many: Experiments in Collectivity

We are Many: Experiments in Collectivity

Curated by Amanda Arantes, Fernanda Pitta and Jochen Volz

Pinacoteca de São Paulo São Paulo, Brazil August 10, 2019 – October 28, 2019

Pinacoteca de São Paulo, the museum of São Paulo State Secretariat for Culture and Creative Economy presents the group exhibition We are Many: Experiments in Collectivity, which investigates artistic practice as a collective exercise. Curated by Amanda Arantes, Fernanda Pitta and Jochen Volz, the show presents artistic experiences designed as direct or indirect dialogues with Joseph Beuys’ production,

Joseph Beuys, Honigpumpe am Arbeitsplatz [Bomba de mel no local de trabalho] (1977). Vista da instalação. Photo by Levi Fanan / Pinacoteca Mônica Nador and JAMAC, Projeto Educativa Extramuros (2019). Photo by Levi Fanan / Pinacoteca Vivian Caccuri, Ode ao Triângulo (2019). Installation view. Photo by Levi Fanan / Pinacoteca Pinacoteca de São Paulo, the museum of

Convocatoria abierta para residencia para colectivos de Sudamérica en Casa do Povo (open call for collective residence Casa do Povo South America) Convocatoria abierta para residencia para colectivos de Sudamérica en Casa do Povo (open call for collective residence Casa do Povo South America)

Convocatoria abierta para residencia para colectivos de Sudamérica en Casa do Povo (open call for collective residence Casa do Povo South America)

Casa do Povo São Paulo

Residencia para colectivos de Sudamérica Convocatoria abierta hasta el 2 de septiembre, 2019  Casa do Povo Rua Três Rios, 252 Bom Retiro, São Paulo SP, 01123-000, Brazil Más información: Casa do Povo Facebook / Instagram La Residencia para Colectivos se realiza desde 2015 y tiene el objetivo de incentivar las prácticas colectivas que pertenezcan al campo ampliado de

Residencia para colectivos de Sudamérica Convocatoria abierta hasta el 2 de septiembre, 2019  Casa do Povo Rua Três Rios, 252 Bom Retiro, São Paulo SP, 01123-000, Brazil Más información: Casa do Povo Facebook / Instagram La Residencia para Colectivos se realiza desde 2015 y tiene el objetivo de incentivar las prácticas colectivas que pertenezcan al campo ampliado de

Tem que manter isso aí, viu?

Tem que manter isso aí, viu?

Evandro Prado

Centro Cultural São Paulo São Paulo, Brazil 05/25/2019 – 08/25/2019

President of the Republic for two consecutive terms, Dilma Rousseff began to appear systematically in the mass media when she became a candidate in 2010 for the highest political office in Brazil. Since then, the visual artist Evandro Prado, owner of a critical interest in institutions such as religious groups, police and the press, has

Evandro Prado, Tem que manter isso aí, viu? (2019). Installation view. Image courtesy of Tiago Santos Evandro Prado, Tem que manter isso aí, viu? (2019). Installation view. Image courtesy of Tiago Santos Evandro Prado, Tem que manter isso aí, viu? (2019). Installation view. Image courtesy of Tiago Santos President of the Republic for two consecutive

Verbo 2019 (15ª edición), Brasil Verbo 2019 (15ª edición), Brasil

Verbo 2019 (15ª edición), Brasil

São Paulo & São Luís, Brasil 07/09/2019 – 07/18/2019

Verbetes Galeria Vermelho – São Paulo (SP) Chão SLZ  – São Luís (MA) Re(o)cupa – São Luís (MA) Curated by: Marcos Gallon and Samantha Moreira The historical relation between Brazil and the artistic movements derived from live arts has evolved considerably from it’s more “centralized” beginnings in the 60s to it’s current practice which spreads

Verbetes Galeria Vermelho – São Paulo (SP) Chão SLZ  – São Luís (MA) Re(o)cupa – São Luís (MA) Curaduría por: Marcos Gallon y Samantha Moreira La relación histórica entre Brasil y los movimientos artísticos derivados de las artes vivas ha evolucionado considerablemente desde sus comienzos más “centralizados” en los años sesentas hasta su práctica actual

Vaivém Vaivém

Vaivém

Curaduría por Raphael Fonseca

Centro Cultural Banco do Brasil São Paulo, Brasil 05/21/2019 – 07/29/2019

El Centro Cultural Banco do Brasil en São Paulo presenta la exposición Vaivém, presentando las hamacas de las artes y la cultura visual en Brasil. Con más de 300 obras de los siglos XVI al XXI y la participación de 141 artistas, entre ellos 32 artistas indígenas, el proyecto es comisariado por Raphael Fonseca —crítico,

Vaivém (2019). Vista de instalación. © Edson Kumasaka. Imagen cortesía de Raphael Fonseca Carmézia Emiliano, Haciendo hamacas (2013). © Edson Kumasaka. Imagen cortesía de Raphael Fonseca Vaivém (2019). Vista de instalación. © Edson Kumasaka. Imagen cortesía de Raphael FonsecaEl Centro Cultural Banco do Brasil en São Paulo presenta la exposición Vaivém, presentando las hamacas de las

Voz ativa: Biblioteca social Voz ativa: Biblioteca social

Voz ativa: Biblioteca social

Mariana Lanari

Casa do Povo São Paulo 07/02/2019 – 07/27/2019

Voz Ativa: Biblioteca Social (Active Voice: Social Library) is an inedited installation that proposes to reactivate the Casa do Povo library, a space that remained closed for 40 years. The proposition of artist Mariana Lanari consists of distributing the institution’s collection of more than 8 thousand books over a 500 square meters surface during the exhibition period. The books

Mariana Lanari, Voz ativa: Biblioteca social (2019). Vista de instalación. Foto por Carol Quintanilha, cortesía de Casa do Povo Mariana Lanari, Voz ativa: Biblioteca social (2019). Vista de instalación. Foto por Carol Quintanilha, cortesía de Casa do Povo Mariana Lanari, Voz ativa: Biblioteca social (2019). Vista de instalación. Foto por Carol Quintanilha, cortesía de Casa do Povo Voz

A noite não adormecerá jamais nos olhos nossos A noite não adormecerá jamais nos olhos nossos

A noite não adormecerá jamais nos olhos nossos

Curaduría por Carollina Lauriano

Baró Galeria São Paulo, Brasil 06/01/2019 – 07/20/2019

A noite não adormecerá jamais nos olhos nossos surge de la necesidad de discutir la pluralidad de idiomas, medios de comunicación e investigación que están produciendo las mujeres racializadas en todo el país. La muestra se compone de trabajos que se desarrollaron durante una inmersión de cuatro semanas y de trabajos preseleccionados. La exposición colectiva

A noite não adormecerá jamais nos olhos nossos (2019). Vista de instalación. Foto por Wallace Domingues A noite não adormecerá jamais nos olhos nossos (2019). Vista de instalación. Foto por Wallace Domingues A noite não adormecerá jamais nos olhos nossos (2019). Vista de instalación. Foto por Wallace Domingues A noite não adormecerá jamais nos olhos