Contemporary Art in the Americas Arte Contemporáneo en las Américas
Manjar. Ontem, Hoje, Agora Manjar. Ontem, Hoje, Agora

Manjar. Ontem, Hoje, Agora

Curated by Catarina Duncan

Solar Dos Abacaxis Rio de Janeiro, Brazil September 20, 2019 –

We’re all over a territory in dispute Starting from the principle of an adinkra (vocabulary of symbols of the Akan people of the present region of Ghana) called Sankofa, this Manjar returns to the past to re-signify the present and build the future. Yesterday, Solar’s activities began on December 8, 2015. Since then, 35 exhibitions

Traplev, Sampler after Sgazerla (2016). Installation view. Photo by Rafael Salim OPAVIVARÁ!, Cangaço, 2015. Installation view. Photo by Rafael Salim Manjar. Ontem, Hoje, Agora (2019). Installation view. Photo by Rafael Salim We’re all over a territory in dispute Starting from the principle of an adinkra (vocabulary of symbols of the Akan people of the present

#tbt

#tbt

Adriana Varejão, Barrão, Beatriz Milhazes and others

Carpintaria, Fortes D’Aloia & Gabriel Rio de Janeiro, Brazil 06/27/2019 – 08/17/2019

On Instagram the jargon #tbt–acronym for Throwback Thursday–is used to caption images from sometime in the past, whether distant or recent. The exhibition draws upon this time shift as a motif to gather artworks from the 80s to the beginning of the 2000s, all prior to the appearance of Instagram and, in many cases, even

Barrão, 10 Centavos Assalta 1 Cruzado (1987). Plastic, epoxy adhesive resin, coins and piaçava fiber. © Barrão. Photo: Eduardo Ortega. Courtesy of Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro. Luiz Zerbini, Untitled (1990). Acrylic on canvas. © Luiz Zerbini. Photo: Pat Kilgore. Courtesy of Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro Janaina Tschäpe. 100

That Obscure Object of Desire That Obscure Object of Desire

That Obscure Object of Desire

Curated by Philip Larratt-Smith

Fortes D'Aloia & Gabriel: Galeria + Carpintaria São Paulo & Rio de Janeiro, Brazil 03/17/2018 – 04/28/2018

Fortes D’Aloia & Gabriel presents That Obscure Object of Desire, a group show conceived by Philip Larratt-Smith, which takes place simultaneously at the venues Galeria (São Paulo) and Carpintaria (Rio de Janeiro). In keeping with this paired concept, the opening reception took place at Carpintaria on March 17, with a second event held at Galeria on

That Obscure Object of Desire. Exhibition view at Carpintaria, Rio de Janeiro, 2018. Photo: Eduardo Ortega. Courtesy Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro That Obscure Object of Desire. Exhibition view at Fortes D’Aloia & Gabriel | Galeria, São Paulo, 2018. Photo: Eduardo Ortega. Courtesy Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro That

4ta Trienal Poli/Gráfica de San Juan, América Latina y el Caribe

4ta Trienal Poli/Gráfica de San Juan, América Latina y el Caribe

Curated by Gerardo Mosquera, Vanessa Hernández Gracia, and Alexia Tala Barril

Antiguo Arsenal de la Marina Española, Casa Blanca, entre otras sedes San Juan, Puerto Rico 10/24/2015 – 02/27/2016

La Trienal Poli/Gráfica de San Juan, América Latina y el Caribe es la transformación de lo que fue, por más de 30 años, uno de los eventos de arte de mayor relevancia en América Latina y el Caribe, La Bienal de San Juan del Grabado Latinoamericano. Creada en 2004, la Trienal promueve la experimentación en

La Trienal Poli/Gráfica de San Juan, América Latina y el Caribe es la transformación de lo que fue, por más de 30 años, uno de los eventos de arte de mayor relevancia en América Latina y el Caribe, La Bienal de San Juan del Grabado Latinoamericano. Creada en 2004, la Trienal promueve la experimentación en