Contemporary Art in the Americas Arte Contemporáneo en las Américas
21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities

21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities

São Paulo, Brazil October 9, 2019 – February 2, 2020

For more information visit: Sesc_Videobrasil Facebook / Instagram / Twitter The presence of nationalism as a means to understanding the disputes that mark our time. That is the background of the 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities, which will run from October 9, 2019 through February 2, 2020, at Sesc 24 de Maio, in São Paulo,

For more information visit: Sesc_Videobrasil Facebook / Instagram / Twitter The presence of nationalism as a means to understanding the disputes that mark our time. That is the background of the 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities, which will run from October 9, 2019 through February 2, 2020, at Sesc 24 de Maio, in São Paulo,

Vaivém Vaivém

Vaivém

Curaduría por Raphael Fonseca

Centro Cultural Banco do Brasil São Paulo, Brasil 05/21/2019 – 07/29/2019

El Centro Cultural Banco do Brasil en São Paulo presenta la exposición Vaivém, presentando las hamacas de las artes y la cultura visual en Brasil. Con más de 300 obras de los siglos XVI al XXI y la participación de 141 artistas, entre ellos 32 artistas indígenas, el proyecto es comisariado por Raphael Fonseca —crítico,

Vaivém (2019). Vista de instalación. © Edson Kumasaka. Imagen cortesía de Raphael Fonseca Carmézia Emiliano, Haciendo hamacas (2013). © Edson Kumasaka. Imagen cortesía de Raphael Fonseca Vaivém (2019). Vista de instalación. © Edson Kumasaka. Imagen cortesía de Raphael FonsecaEl Centro Cultural Banco do Brasil en São Paulo presenta la exposición Vaivém, presentando las hamacas de las

Riposatevi Riposatevi

Riposatevi

Lúcio Costa

MAC Niterói Niterói, Río de Janeiro, Brasil 12/18/2018 – 03/17/2019

Reinstallation of a show conceived by the great architect and urbanist Lúcio Costa for the Milan Triennial architecture exhibition in 1964, when Brazil participated for the first time. The event took place following the military coup and four years after the inauguration of Brasília. “Each country was free to think about their participation in this

Lucio Costa, Riposatevi (2018). Vista de instalación. Foto por Rafael Salim Lucio Costa, Riposatevi (2018). Vista de instalación. Foto por Rafael Salim Lucio Costa, Riposatevi (2018). Vista de instalación. Foto por Rafael Salim Era el año de 1964. La Trienal de Milán, evento dedicado al diseño y a la arquitectura, llegaba a su décima tercera edición.

Dorminhocos

Dorminhocos

Pierre Verger

CAIXA Cultural Rio de Janeiro Rio de Janeiro, Brazil 01/20/2018 – 03/18/2018

French anthropologist and photographer Pierre Verger shot the world with a sharp eye and a camera in his hands, always running away from clichés and taking an interest in unusual subjects. At the exhibition Dorminhocos, on display at CAIXA Cultural Rio de Janeiro from January 20 to March 18, 2018, a series of images portray

Pierre Vergeres. Exhibition view of Dorminhocos, Caixa Cultural Rio de Janeiro, Rio de Janeiro, Brazil, 2018. Courtesy of Caixa Cultural Rio de Janeiro Pierre Vergeres. Exhibition view of Dorminhocos, Caixa Cultural Rio de Janeiro, Rio de Janeiro, Brazil, 2018. Courtesy of Caixa Cultural Rio de Janeiro Pierre Vergeres. Exhibition view of Dorminhocos, Caixa Cultural Rio

MAC Niterói: três novas exposições ocupam Varanda e Salão Principal

MAC Niterói: três novas exposições ocupam Varanda e Salão Principal

Regina Vater, Bruno Faria and Rafael Alonso

MAC Niterói Niterói, Brazil 10/21/2017 – 02/18/2018

En Oxalá que dê bom tempo, la importante artista carioca Regina Vater presenta una retrospectiva de su larga carrera, que tiene más de cincuenta años. “Así como sus compañeros generacionales de los años 1960, Regina experimentó diversos lenguajes en su recorrido. Inicialmente, trabajó en los campos del dibujo, grabado y pintura, y posteriormente se dedicó

Regina Vater, Bruno Faria y Rafael Alonso. Installation view at MAC Niterói. Cortesía de MAC Niterói Regina Vater, Bruno Faria y Rafael Alonso. Installation view at MAC Niterói. Cortesía de MAC Niterói Regina Vater, Bruno Faria y Rafael Alonso. Installation view at MAC Niterói. Cortesía de MAC Niterói En Oxalá que dê bom tempo, la