Contemporary Art in the Americas Arte Contemporáneo en las Américas
AI-5 50 YEARS – it still isn’t over yet AI-5 50 YEARS – it still isn’t over yet

AI-5 50 YEARS – it still isn’t over yet

Curated by Paulo Miyada

Instituto Tomie Ohtake Sao Paulo 09/04/2018 – 11/04/2018

“What is the purpose of an art institution in a country like Brazil, today, in 2018? Even though this doesn’t directly reach the spectators, this is a question that Instituto Tomie Ohtake’s employees face every day, dealing with the responsibilities intrinsic to the work they develop. There are several different answers for this question and

AI-5 50 YEARS – still hasn’t ended yet. Installation view at Instituto Tomie Ohtake, 2018. Photo courtesy of Instituto Tomie Ohtake AI-5 50 YEARS – still hasn’t ended yet. Installation view at Instituto Tomie Ohtake, 2018. Photo courtesy of Instituto Tomie Ohtake. AI-5 50 YEARS – still hasn’t ended yet. Instalation View at Instituto Tomie

Fratura Fratura

Fratura

Adriano Costa, Arjan Martin, and Juliana Cerqueira Leite

Instituto Tomie Ohtake São Paulo, Brazil 03/15/2018 – 05/06/2018

Instituto Tomie Ohtake created the Arte Atual program in 2013, a platform for presenting experimental artistic researches in which, through a question posed by the Curating and Research Center—coordinated by Paulo Miyada—, a group of artists is invited to create a new project. In the program’s seventh edition, sponsored by Recovery, the curators bring works

Adriano Costa, Arjan Martin, and Juliana Cerqueira Leite. Exhibition view of Fratura, Instituto Tomie Ohtake, São Paulo, Brazil, 2018. Courtesy of Instituto Tomie Ohtake Adriano Costa, Arjan Martin, and Juliana Cerqueira Leite. Exhibition view of Fratura, Instituto Tomie Ohtake, São Paulo, Brazil, 2018. Courtesy of Instituto Tomie Ohtake Adriano Costa, Arjan Martin, and Juliana Cerqueira Leite. Exhibition view of Fratura, Instituto Tomie

34° Panorama da Arte Brasileira 34° Panorama da Arte Brasileira

34° Panorama da Arte Brasileira

Curated by Aracy Amaral and Paulo Miyada

Museu de Arte Moderna de São Paulo São Paulo, Brazil 10/03/2015 – 02/10/2016

To highlight the first three-dimensional artistic manifestations we know of, produced between 4,000 and 1,000 years b.C. in the territory that today is Brazil and to propose experimentations about how they can dialogue with national contemporary production. This is the motto of the 34º Panorama da Arte Brasileira – da pedra da terra daqui, a

To highlight the first three-dimensional artistic manifestations we know of, produced between 4,000 and 1,000 years b.C. in the territory that today is Brazil and to propose experimentations about how they can dialogue with national contemporary production. This is the motto of the 34º Panorama da Arte Brasileira – da pedra da terra daqui, a