Contemporary Art in the Americas Arte Contemporáneo en las Américas
Hacer refugio Hacer refugio

Hacer refugio

Miguel A. López, Lola Malavasi, Daniela Morales Lisac, Kevin Pérez, Paula Piedra y Viviana Zúñiga

Creating Shelter In mid-March, TEOR/éTica closed its doors to the public and cancelled all upcoming events. We were following the Costa Rican authorities’ guidelines for containment after COVID-19’s arrival to Latin America—the region that has since become the global epicenter of the pandemic. Our initial reactions were directed towards brainstorming how to modify our programming

Intervención en la vitrina de Lado V durante el evento Amón Cultural, una semana antes del cierre total de las casas de TEOR/éTica por la llegada del COVID-19 a Costa Rica. Fotografía por Daniela Morales Lisac. Imagen cortesía de TEOR/éTica A mediados de marzo, TEOR/éTica cerró sus puertas al público y canceló todos sus eventos

*and what good does all the research of the Impressionists do them…*

*and what good does all the research of the Impressionists do them…*

Curated by Zoë Claire Miller and Eva Wilson

Squash Editions Ciudad de México 01/19/2018 – 01/21/2018

*and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank* Red lines mark the out of bounds of the squash court, forming an odd horizon that signals the limits of the playing field. Contained in the here

Vista de la instalación *and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank*, Squash Editions, Ciudad de México, 2018. Cortesía de Chelsea Culprit y Squash Editions Vista de la instalación *and what good does all the research of