Contemporary Art in the Americas Arte Contemporáneo en las Américas
MARGINALIA #19

MARGINALIA #19

Diego Salvador Rios 10/01/2016 – 10/31/2016

Every month Marginalia invites an artist, curator or project to provide a series of images that will serve as the background of Terremoto, in relation to their practice and current interests. At the end of each month, the identity of our guest is revealed and the whole series of images is unveiled.   Rear Camera: 3.2mpx (2048

Marginalia consiste en la invitación mensual a un artista, curador o proyecto a escoger una serie de imágenes para el fondo de la página de Terremoto en relación con su práctica e intereses del momento. A final de cada mes se revela la identidad del invitadx y se pueden descubrir las imágenes en conjunto.   La

Fuckin’ Fruit Fuckin’ Fruit

Fuckin’ Fruit

Puppies Puppies

BFA Boatos Fine Arts São Paulo, Brazil 09/03/2016 – 12/22/2016

Puppies Puppies’ Green Works pair yellow and blue (distinct individuals) and green (their union) as a marker of works bearing some connection to love, and especially to our family. The newest Green Work, as of this writing, is Brazilian Flag (blue) (yellow) (green), 2016, an open edition of mass-produced Brazilian flags. An example of this

Puppies Puppies’ Green Works pair yellow and blue (distinct individuals) and green (their union) as a marker of works bearing some connection to love, and especially to our family. The newest Green Work, as of this writing, is Brazilian Flag (blue) (yellow) (green), 2016, an open edition of mass-produced Brazilian flags. An example of this

http://www.mit.edu/~ruchill /lazycurator.html http://www.mit.edu/~ruchill /lazycurator.html

http://www.mit.edu/~ruchill /lazycurator.html

Curated by Marek Wolfryd

Universidad del Claustro de Sor Juana Mexico City, México 09/29/2016 – 11/05/2016

Artistas: Daniel Aguilar Ruvalcaba, Marco Aviña, Juan Caloca, Alonso Cedillo Mata, Cristina Garrido, Bienal El Guayabo, Héctor Jiménez, Obstante, Rebecca Uchill www.mit.edu/~ruchill/lazycurator.html está compuesta por un conjunto de obras que comparten el uso del medio como proceso de significación. Que generan un diálogo con el medio abordado desde el slogan-concepto de McLuhan “el medio es el

Artistas: Daniel Aguilar Ruvalcaba, Marco Aviña, Juan Caloca, Alonso Cedillo Mata, Cristina Garrido, Bienal El Guayabo, Héctor Jiménez, Obstante, Rebecca Uchill www.mit.edu/~ruchill/lazycurator.html está compuesta por un conjunto de obras que comparten el uso del medio como proceso de significación. Que generan un diálogo con el medio abordado desde el slogan-concepto de McLuhan “el medio es el

Zona de Tensão Zona de Tensão

Zona de Tensão

Hudinilson Jr.

Centro Cultural São Paulo São Paulo, Brazil 08/06/2016 – 10/30/2016

Curated by Maria Adelaide Pontes, Maria Olímpia Vassão and Marcio Harum Courtesy of Centro Cultural São Paulo

Curada por Maria Adelaide Pontes, Maria Olímpia Vassão y Marcio Harum Cortesía de Centro Cultural São Paulo

qARADISE

qARADISE

Nobuyoshi Araki

Organized by kurimanzutto Mexico City 09/01/2016 – 11/30/2016

Araki has long been recognized as a master of his medium, whose work captures the link between the I & eye, where photography is the observation of life and death embraced in life, or life embraced in death. Through countless exhibitions and publications, he has tirelessly experimented with the boundaries of photographic form, painting, writing, scratching or collaging

Desde hace tiempo Araki es reconocido como un maestro de la fotografía, cuyo trabajo captura la relación entre el Yo y el ojo. A través de incontables exposiciones y publicaciones se ha dedicado a observar la vida y la muerte abrazadas en vida, o la vida abrazada en la muerte. Araki experimenta con los límites de la fotografía: pinta, escribe,

Extinción de dominio Extinción de dominio

Extinción de dominio

Jonathan Hernández

kurimanzutto Mexico City, México 09/22/2016 – 10/29/2016

Over the course of two years, the artist attended public auctions in Mexico, acquiring a series of assets that had been seized from organized crime by the authorities. His acquisitions then became the primary material for the realization of the works currently on display. In dissecting this inventory, Hernandez reflects on the turbulent reality of contemporary Mexico and the attending

Durante poco más de dos años el artista adquirió en subastas públicas una serie de bienes incautados al crimen organizado en nuestro país, convirtiendo los lotes obtenidos en materia prima para la realización de las obras que conforman esta muestra. A manera de disección a un inventario, Hernández reflexiona acerca de la turbulenta realidad mexicana y sus implicaciones políticas, económicas,

#tags #tags

#tags

Marc Bijl

Spinello Projects Miami, Florida, USA 09/08/2016 – 11/08/2016

The hashtag has become a prime method of organization in our contemporary media environment. It’s technology is indecipherable to some, but it’s utility is simple. The power of one character (#) can isolate any word or phrase, removing it from its context, creating a powerful infrastructure space of words and images across social media platforms. For #tags, Bijl has

The hashtag has become a prime method of organization in our contemporary media environment. It’s technology is indecipherable to some, but it’s utility is simple. The power of one character (#) can isolate any word or phrase, removing it from its context, creating a powerful infrastructure space of words and images across social media platforms. For #tags, Bijl has

Pinturas 20 16

Pinturas 20 16

Déborah Pruden

SlyZmud Buenos Aires, Argentina 09/29/2016 – 11/12/2016

Photo: Javier Agustín Rojas Courtesy of SlyZmud, Buenos Aires

Fotografía: Javier Agustín Rojas Cortesía de SlyZmud, Buenos Aires

Raw of the World

Raw of the World

Ivens Machado

Pivô São Paulo, Brazil 09/04/2016 – 10/29/2016

Curated by Kiki Mazzucchelli The exhibition Raw of the World brings together a set of sculptures, videos and drawings focusing on the first two decades of Machado’s production. Known for his sculptural work, in which he uses raw materials typical of popular construction (such as concrete, rebars, broken glasses, etc.), the artist began his career

Curated by Kiki Mazzucchelli The exhibition Raw of the World brings together a set of sculptures, videos and drawings focusing on the first two decades of Machado’s production. Known for his sculptural work, in which he uses raw materials typical of popular construction (such as concrete, rebars, broken glasses, etc.), the artist began his career

Sesos de asno

Sesos de asno

Mario Navarro

Die Ecke Santiago, Chile 09/15/2016 – 10/22/2016

Sesos de asno es el título de la segunda exposición individual del artista chileno Mario Navarro (1970) en Die Ecke Arte Contemporáneo. La muestra continúa su trabajo desarrollado en los últimos años en torno a prácticas como el espiritismo que vinculan el mundo terrenal con el espiritual o procedimientos pseudocientíficos y adivinatorios como el biomagnetismo

Sesos de asno es el título de la segunda exposición individual del artista chileno Mario Navarro (1970) en Die Ecke Arte Contemporáneo. La muestra continúa su trabajo desarrollado en los últimos años en torno a prácticas como el espiritismo que vinculan el mundo terrenal con el espiritual o procedimientos pseudocientíficos y adivinatorios como el biomagnetismo