Contemporary Art in the Americas Arte Contemporáneo en las Américas
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Petra Cortright

Steve Turner Contemporary Los Angeles, California, USA 11/09/2013 – 12/21/2013

Steve Turner Contemporary is pleased to present xxx BLank BLANk bLANk …, Los Angeles-based artist Petra Cortright’s first solo exhibition at the gallery featuring webcam videos, flash animations and paintings on aluminum, silk and polyester. Cortright created all of the works on her computer, and they will be interspersed throughout the gallery. Cortright has said

Steve Turner Contemporary is pleased to present xxx BLank BLANk bLANk …, Los Angeles-based artist Petra Cortright’s first solo exhibition at the gallery featuring webcam videos, flash animations and paintings on aluminum, silk and polyester. Cortright created all of the works on her computer, and they will be interspersed throughout the gallery. Cortright has said

Construir la sucá * Construir la sucá *

Construir la sucá *

Bill Copley, Víctor Fosado, Juan José Gurrola, James Metcalf, Ana Pellicer

House of Gaga Ciudad de México, México 11/12/2013 – 12/21/2013

Construir la sucá es la primer parte de un proyecto que concluirá en la galería Francesca Pia en Zurich, Suiza en enero del 2014. La exposición busca analizar constelaciones y relaciones que rebasan prácticas, disciplinas y espacios físicos a partir, en esta ocasión, de 5 agentes activos desde los 50´s hasta la fecha en algunos

Construir la sucá es la primer parte de un proyecto que concluirá en la galería Francesca Pia en Zurich, Suiza en enero del 2014. La exposición busca analizar constelaciones y relaciones que rebasan prácticas, disciplinas y espacios físicos a partir, en esta ocasión, de 5 agentes activos desde los 50´s hasta la fecha en algunos

Slyk Chaynjis Slyk Chaynjis

Slyk Chaynjis

Heather and Ivan Morison

Diverse Works Houston, Texas, USA 11/02/2013 – 12/28/2013

DiverseWorks has commissioned UK-based multidisciplinary artists Heather and Ivan Morison to create theirfirst major project in the United States. Using social personae to investigate the construction of self, the Morisons engage with materials, histories, sites, and processes. Over the past twelve months, the Morisons have conducted a number of site visits and research expeditions in

DiverseWorks has commissioned UK-based multidisciplinary artists Heather and Ivan Morison to create theirfirst major project in the United States. Using social personae to investigate the construction of self, the Morisons engage with materials, histories, sites, and processes. Over the past twelve months, the Morisons have conducted a number of site visits and research expeditions in

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Nicholas Hlobo

Locust Projects Miami, Florida, USA 11/09/2013 – 12/21/2013

Now celebrating 15 years of exhibiting experimental contemporary art, Locust Projects is pleased to present Intethe (Sketch for an Opera), South African sculptor Nicholas Hlobo’s first major project in Miami. Hlobo is known for creating theatrical environments and sprawling organic sculptures made of materials such as leather and rubber, intricately stitched with ribbon and lace.

Now celebrating 15 years of exhibiting experimental contemporary art, Locust Projects is pleased to present Intethe (Sketch for an Opera), South African sculptor Nicholas Hlobo’s first major project in Miami. Hlobo is known for creating theatrical environments and sprawling organic sculptures made of materials such as leather and rubber, intricately stitched with ribbon and lace.

After Chaos Comes Eros…he is stronger than his rock (I Could Be Happy) After Chaos Comes Eros…he is stronger than his rock (I Could Be Happy)

After Chaos Comes Eros…he is stronger than his rock (I Could Be Happy)

Juan Capistrán

Curro & Poncho Guadalajara, Jalisco, México 10/24/2013 – 01/10/2014

  Curro & Poncho se enorgullece en presentar la primera exposición individual en México de Juan Capistrán (Guadalajara, 1976) “After Chaos Comes Eros… he is stronger than his rock (I could be happy)”. El trabajo de Capistrán generalmente se enfoca en la creación de códigos binarios de carácter social-filosófico bajo influencias diversas que van desde

Curro & Poncho se enorgullece en presentar la primera exposición individual en México de Juan Capistrán (Guadalajara, 1976) “After Chaos Comes Eros… he is stronger than his rock (I could be happy)”. El trabajo de Capistrán generalmente se enfoca en la creación de códigos binarios de carácter social-filosófico bajo influencias diversas que van desde el

Banter Banter

Banter

Borden Capalino, Marianne Eigenheer, Brian Fridge, Nicolas Lobo, Nathlie Provosty, Cordy Ryman

Gallery Diet Miami, Florida, USA 11/07/2013 – 11/13/2013

Curator : James Cope By definition, banter means to joke around, make fun of, and be loud. The exhibition, by contrast, is about the quiet moments that are a part of contemporary art and its system. Joseph Kosuth said, “art is about meaning.” Here, the making of art and its meaning has no direct association with

Curator : James Cope By definition, banter means to joke around, make fun of, and be loud. The exhibition, by contrast, is about the quiet moments that are a part of contemporary art and its system. Joseph Kosuth said, “art is about meaning.” Here, the making of art and its meaning has no direct association with

43e Salón Saber Desconocer en Medellín, Colombia 43e Salón Saber Desconocer en Medellín, Colombia

43e Salón Saber Desconocer en Medellín, Colombia

Lida Abdul, Fredy Alzate, Claudia Andujar, Giovanni Anselmo, María José Arjona, Felipe Arturo, Kader Attia, Marcos Ávila Forero, Lisandra Ávila Romero en colaboración con Orson Ali Gómez, Jean François Boclé, Germán Botero, François Bucher, Carlos Bunga, Johanna Calle, Iván Capote, Leyla Cárdenas, Antonio Caro, José Castrellón, Benvenuto Chavajay González, Raimond Chaves & Gilda Mantilla, Liu Chuang, Donna Conlon /Jonathan Harker, Alexandre Da Cunha, Fernando y Leidy Chávez, Colectivo Octavo Plástico, Colectivo Reproducciones, César del Valle, Jeremy Deller, Vicente Do Rego Monteiro, Camilo Echavarría, Juan Manuel Echavarría, Clemencia Echeverri, Anuar Elías, Lorena Espitia, Radamés "Juni" Figueroa, Demián Flores, Ericka Flórez, Adrián Gaitán, Regina José Galindo, Alexandra Gelis, Ethel Gilmour, Rafael Gomezbarros, Víctor Grippo, Juan Fernando Herrán, Juan David Higuita, Jaime Iregui, Miguel Jara, Edwin Jimeno, Nancy La Rosa, Fabienne Lassere, Jac Leirner, Glenda León, Mateo López, Jorge Macchi, Alejandro Mancera, Kevin Simón Mancera, José Horacio Martínez, Jorge Méndez Blake, Cildo Meireles, Claire Morel, Gian Paolo Minelli, Sandra Monterroso, Delcy Morelos, Oscar Murillo, Joar Nango, Ernesto Neto, José Olano, Mario Opazo, Bernardo Ortíz, John Mario Ortíz, Lucas Ospina, Nicolás París, Libia Posada, Yussy Pupo, Sergio Raimondi, Martha Lucía Ramírez, Omar Rayo, Santiago Reyes Villaveces, Cristiano Rennó, José Alejandro Restrepo, Sebastián Restrepo, Abel Rodríguez, Alex Rodríguez, Miguel Ángel Rojas, María Isabel Rueda, Adriana Salazar, Karin Sander, Viviane Sassen, Gabriel Sierra, Wilger Sotelo, Fiete Stolte, José Antonio Suárez Londoño, Hernando Tejada, Angélica Teuta, Armando Andrade Tudela, Carlos Uribe, Giovanni Vargas, Simón Vega, Vincent Vulsma

Museo de Antioquia, Edificio Antioquia (Antigua Naviera Grancolombiana) Museo de Arte Moderno de Medellín y otros lugares 09/06/2013 – 11/03/2013

          Miguel Angel Rojas Curadores : Mariangela Méndez (Directora Artística), Florencia Malbrán, Javier Mejía, Rodrigo Moura e Silva, Oscar Roldán-Alzate En 2013 llega a su edición No. 43 el Salón (inter) Nacional de Artistas Saber Desconocer el programa de apoyo al arte contemporáneo de mayor trayectoria en Colombia y, posiblemente, su

         Miguel Angel Rojas Curadores : Mariangela Méndez (Directora Artística), Florencia Malbrán, Javier Mejía, Rodrigo Moura e Silva, Oscar Roldán-Alzate En 2013 llega a su edición No. 43 el Salón (inter) Nacional de Artistas Saber Desconocer el programa de apoyo al arte contemporáneo de mayor trayectoria en Colombia y, posiblemente, su plataforma

Because we can Because we can

Because we can

Alex Becerra, Nico Colón, Carson Fisk-Vittori & Debora Delmar Corporation, Edgar Orlaineta, Adam Stamp, Francisco Cordero-Oceguera, Andrew Birk, and Martin Soto Climent

NO SPACE Ciudad de México, México 10/26/2013 – 11/17/2013

WE LIKE OUR FRIENDS AND WE LIKE THEIR ART (WE DID NOT WANT TO WRITE ANY MORE THAN THAT. THIS LANDSCAPE HAS ENOUGH WRITING. THIS LANDSCAPE HAS ENOUGH WORK THAT DOESNT SPEAK FOR ITSELF. THIS LANDSCAPE HAS NOT LEARNED TO DEVELOP ITS INSTINCTS, AS ALL OF THE IDEAS ARE BEING FORCE FED TO THEM VIA PRESS RELEASES

WE LIKE OUR FRIENDS AND WE LIKE THEIR ART (WE DID NOT WANT TO WRITE ANY MORE THAN THAT. THIS LANDSCAPE HAS ENOUGH WRITING. THIS LANDSCAPE HAS ENOUGH WORK THAT DOESNT SPEAK FOR ITSELF. THIS LANDSCAPE HAS NOT LEARNED TO DEVELOP ITS INSTINCTS, AS ALL OF THE IDEAS ARE BEING FORCE FED TO THEM VIA PRESS RELEASES

National Symbol National Symbol

National Symbol

Edwin Sanchez

Galeria Jaqueline Martins São Paolo, Brazil 10/07/2013 – 11/16/2013

National Symbol / At your service* / Self Defence (dedicated to Marcelo Eduardo Bovo Pesseghini) “Crime is, then, necessary; it is bound up with the fundamental conditions of all social life and by that very fact it is useful, because these conditions of which it is a part are themselves indispensable to the normal evolution

National Symbol / At your service* / Self Defence (dedicated to Marcelo Eduardo Bovo Pesseghini) “Crime is, then, necessary; it is bound up with the fundamental conditions of all social life and by that very fact it is useful, because these conditions of which it is a part are themselves indispensable to the normal evolution