Contemporary Art in the Americas Arte Contemporáneo en las Américas
Djamil Djamil

Djamil

Lin May Saeed

Lulu Mexico City, México 09/30/2017 – 11/18/2017

Lin May Saeed makes sculptures, sculptural reliefs, drawings, works on paper and video. Known to use non-traditional materials, such as and especially styrofoam, Saeed’s work is directly linked to and thematically informed by her interest in animals and her commitment to animal activism. Her work deals with the exploitation of animals, their depiction, liberation, and

Lin May Saeed, Mural, 2017. Charcoal drawing in situ, Dimensions variable. Image courtesy of Lulu. Installation view. Image courtesy of Lulu. Lin May Saeed, Teneen Albaher Relief III, 2017. Styrofoam, steel, acrylic paint, 33,5 x 47 x 12,5 cm. Image courtesy of Lulu. Lin May Saeed hace escultura, relieves escultóricos, dibujos, trabajos en papel y

O Sagrado é Amor O Sagrado é Amor

O Sagrado é Amor

Ernesto Neto

Fortes D'Aloia & Gabriel São Paulo, Brazil 10/21/2017 – 12/02/2017

Fortes D’Aloia & Gabriel presents O Sagrado é Amor [The Sacred is Love], the new exhibition by Ernesto Neto at our Galeria site. The artist shows wearable sculptures and an installation that invite the public to slow down the chaotic rhythm of urban life and to enjoy moments of introspection, calming the mind and activating the

Exhibition view of O Sagrado é Amor, 2017. Courtesy of Fortes D’Aloia & Gabriel. Selfie Amor, 2017. Gouache on paper, 35 x 44 x 3.5 cm. Courtesy of Fortes D’Aloia & Gabriel. O Silêncio é uma Forma de Oração, 2017. Copper, 20 x 15 cm (each, approx.). Courtesy of Fortes D’Aloia & Gabriel. Fortes D’Aloia &

Nunca Godo

Nunca Godo

Diego Salvador Ríos

Lodos Ciudad de México 10/07/2017 – 11/18/2017

Diego, papito, papá Pinillos, Before the past takes everything away, I would like to share with you some images that have stuck in my head. Actually, they all talk about the past, so don’t feel the need to trust them. Inevitably they will disappear. They are only representations. Ideas about you. Or rather, reproductions of

Installation view. Diego Salvador Rios, Nunca Godo, 2017. Imagen cortesía de Lodos. Installation view. Diego Salvador Rios, Nunca Godo, 2017. Imagen cortesía de Lodos. Installation view. Diego Salvador Rios, Nunca Godo, 2017. Imagen cortesía de Lodos. Diego, papito, papá Pinillos, Antes de que todo se lo lleve el pasado, quisiera compartirte algunas imágenes que se

I Am The Door

I Am The Door

Los Super Elegantes

Gavlak Los Angeles, Californa, USA 09/09/2017 – 11/04/2017

Gavlak presents I Am The Door, an exhibition that offers a glimpse into the history of the exuberant, collaborative duo, Los Super Elegantes. This exhibition is a participant of Pacific Standard Time: LA/LA, led by the Getty. In 1994, Martiniano Lopez-Crozet (b. Buenos Aires, Argentina, 1966) and Milena Muzquiz (b. Tijuana, Mexico, 1972) began practicing experimental entertainment

Installation view. Los Super Elegantes, I Am the Door, 2017. Image courtesy of Gavlak. Installation view. Los Super Elegantes, I Am the Door, 2017. Image courtesy of Gavlak. Installation view. Los Super Elegantes, I Am the Door, 2017. Image courtesy of Gavlak. Gavlak presents I Am The Door, an exhibition that offers a glimpse into the

Una contrahistoria de los sesenta en México

Una contrahistoria de los sesenta en México

Grupo Mira

Museo Amparo Puebla, México 08/05/2017 – 11/06/2017

El Museo Amparo presenta la exposición Grupo Mira. Una contrahistoria de los setenta en México, que se inauguró el sábado 5 de agosto a las 12:00 horas con una charla a cargo de Annabela Tournon, curadora de la exposición. La exposición Grupo Mira. Una contrahistoria de los setenta en México narra la trayectoria de un

Vista de la exhibición Grupo Mira. Una contrahistoria de los sesenta en México, 2017. Imagen cortesía de Museo Amparo. Grupo 65, Los Inmigrantes (fragmento), 1971. Archivo personal de Arnulfo Aquino. Imagen cortesía de Museo Amparo. Vista de la exhibición Grupo Mira. Una contrahistoria de los sesenta en México, 2017. Imagen cortesía de Museo Amparo. El Museo Amparo

Bearing Witness Bearing Witness

Bearing Witness

Regina José Galindo

Baik Art Los Angeles, California, USA 09/09/2017 – 10/28/2017

Baik Art presents Bearing Witness, a solo exhibition by Regina José Galindo, contemporary Guatemalan performance artist born in 1974, 14 years into the bloody, 36-year armed conflict in Guatemala. By pushing her body to the limit and creating works that depict her own reality as both a Guatemalan and a woman, Galindo challenges the inequities and

Regina José Galindo, Libertad Condicional/Contional Freedom, 2009. Photos, chains, stakes, padlocks, ring of keys. 8 x 10 in. and dimensions variable. Courtesy of the artist and Baik Art. Photo: Michael Underwood Regina José Galindo, Installation view, 2003-2017. Photos, videos, mixed media. Dimensions variable. Courtesy of Baik Art. Photo: Michael Underwood Regina José Galindo, Tierra/Earth, 2013.

Vivian Suter and Elisabeth Wild Vivian Suter and Elisabeth Wild

Vivian Suter and Elisabeth Wild

Elisabeth Wild

Karma International Los Angeles, California, USA 09/15/2017 – 10/28/2017

The gravel avocado and mango trees in their green                 shadows            Volcanoes,                 and their shoot The paintings breath    The paintings move and are moved by the wind              the     

Installation view at Vivian Suter and Elisabeth Wild by Karma International, Los Angeles, 2017. Photo courtesy of the artists and the gallery. Installation view at Vivian Suter and Elisabeth Wild by Karma International, Los Angeles, 2017. Photo courtesy of the artists and the gallery. Installation view at Vivian Suter and Elisabeth Wild by Karma International, Los Angeles,