Contemporary Art in the Americas Arte Contemporáneo en las Américas
B L I S S B L I S S

B L I S S

Curada por Nika Chilewich, Eva Posas y Chloé Wilcox

LAR en Escuela de la Paz Ciudad de México 02/07/2019 – 03/30/2019

Artists: Eunice Adorno, Casey Jane Ellison, Emilia García, Sánchez-Kane, Frieda Toranzo Jaeger, Leilah Weinraub, Kandis Williams, Lorena Vega, Cajsa Von Zeipel B L I S S is a state and a space of grace. It is a haven for female relaxation and indulgence, a place for self-care and communion. B L I S S is a

Cajsa Von Zeipel, The Deputant (2019). Imagen cortesía de LAR Bárbara Sánchez Kane, Silla Tántrica (2019); Kandis Williams, they glance you stare (2017). Imagen cortesía de LAR Eunice Adorno, Desandar (2019). Imagen cortesía de LAR Artistas: Eunice Adorno, Casey Jane Ellison, Emilia García, Sánchez-Kane, Frieda Toranzo Jaeger, Leilah Weinraub, Kandis Williams, Lorena Vega, Cajsa Von Zeipel B L I

Ozone Flowers

Ozone Flowers

Michael Assiff

Galería Mascota Mexico City, México 02/08/2017 – 04/08/2017

Ozone Flowers, a show by New York-based painter Michael Assiff, has two pressing events in mind: the onset in 2017 of the Mexican ‘Cap and Trade’ carbon market to reduce greenhouse gasses, and, to the country’s north, the ascent to power of a new climate change-denying political regime. Strung together, the ecological tableaus Assiff creates denote a new world order,

Michael Assiff, Installation View (Hyperaccumulators, Hyperaccumulators), 2017. 40.64 x 50.8 cm each. Courtesy of Galería Mascota, Mexico City. Photo: PJ Rountree. Michael Assiff, Hyperaccumulators (Wedding Hive), 2017. Plastic, latex, UV print on canvas, craft bees. 40.64 x 50.8 cm. Courtesy of Galería Mascota, Mexico City. Photo: PJ Rountree. Michael Assiff & Chelsea Culp, Rex, 2017.