Contemporary Art in the Americas Arte Contemporáneo en las Américas
Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 at the Museum of Fine Arts, Houston Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 at the Museum of Fine Arts, Houston

Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 at the Museum of Fine Arts, Houston

By Patricia Restrepo Houston, Texas, USA 03/05/2017 – 05/21/2017

The debut presentation of Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 at the Museum of Fine Arts, Houston (MFAH) is the most comprehensive and (self-declared) significant presentation of modern and contemporary Cuban art shown in the United States since 1944, when Modern Cuban Painters was mounted at the Museum of Modern Art in New York.

Muro de pósters cubanos a la entrada de la exhibición. Cortesía CIFO y Ella Fontanals-Cisneros La presentación de Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 en el Museo de Bellas Artes de Houston (MFAH) es la más completa y (autodeclarada) significativa presentación de arte cubano contemporáneo y moderno exhibida en los Estados

Dallas Art Fair 2016 and Houston Roundup Dallas Art Fair 2016 and Houston Roundup

Dallas Art Fair 2016 and Houston Roundup

By Dorothée Dupuis Dallas, Texas 04/15/2016 – 04/17/2016

What’s the difference between prejudice and fantasy? Texas incarnates a big chunk of the American dream, notably in relation to a specific landscape, the one of the Wild West, with its reddish canyons and strategically designed myths of autochthon tribes fighting heroic cowboys whitewashed as straight and Caucasian. On this image is superimposed others of

Nick Vaughan y Jake Margolin en Devin Borden, Houston. Dallas Art Fair 2016. ¿Cuál es la diferencia entre el prejuicio y la fantasía? Texas encarna gran parte del sueño americano, notablemente en relación a un paisaje específico, el del Wild West, con sus valles rojos y sus mitos diseñados de tribus autóctonas peleando cowboys heroicos blanqueados. Sobre esta