Contemporary Art in the Americas Arte Contemporáneo en las Américas
21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities

21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities

São Paulo, Brazil October 9, 2019 – February 2, 2020

For more information visit: Sesc_Videobrasil Facebook / Instagram / Twitter The presence of nationalism as a means to understanding the disputes that mark our time. That is the background of the 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities, which will run from October 9, 2019 through February 2, 2020, at Sesc 24 de Maio, in São Paulo,

For more information visit: Sesc_Videobrasil Facebook / Instagram / Twitter The presence of nationalism as a means to understanding the disputes that mark our time. That is the background of the 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities, which will run from October 9, 2019 through February 2, 2020, at Sesc 24 de Maio, in São Paulo,

The Invisible Cage

The Invisible Cage

Víctor Castillo

Isabel Croxatto Galería Santiago, Chile 11/14/2018 – 12/30/2018

El mágico embrujo de la campana La exposición La jaula invisible de Víctor Castillo toma como punto de partida los imaginarios, protocolos y conductas asociados al universo educativo, ofreciéndonos una mirada desencantada y cruda del momento actual. Castillo, artista chileno residente en Los Ángeles, escarba en su memoria y en materiales provenientes de la cultura

Victor Castillo, The Magic Spell of the Bell (2018). © Víctor Castillo. Cortesía de Isabel Croxatto Galería Victor Castillo, Stay Away (2018). © Víctor Castillo. Cortesía de Isabel Croxatto Galería Victor Castillo, The Invisible Cage (2018). Vista de instalación. © Víctor Castillo. Cortesía de Isabel Croxatto Galería El mágico embrujo de la campana La exposición

PArC + Art week 2018 in Lima, Peru PArC + Art week 2018 in Lima, Peru

PArC + Art week 2018 in Lima, Peru

by Dorothée Dupuis Lima, Perú 04/18/2018 – 04/22/2018

After being in São Paulo the week before for SP-Arte, I travelled to Lima, transitioning—as I’ve been joking with dark humor since the beginning of the week—between two countries that currently don’t have presidents. Both in Brazil and Peru, this doesn’t seem to be a problem. The countries continue to operate without a leader, like

Intervención de Jimbo y Peremese sobre la obra de Martin Creed en Proyecto AMIL PArC + Semana del arte 2018 en Lima, Perú Después de estar en São Paulo la semana pasada a propósito de SP-Arte, viajé a Lima, desplazándome entre países que no tienen presidente —como he venido bromeando con humor negro desde el

Feria Odeón 2017, Bogotá, Colombia Feria Odeón 2017, Bogotá, Colombia

Feria Odeón 2017, Bogotá, Colombia

by Editorial Terremoto Bogotá, Colombia 10/27/2017 – 10/30/2017

Tatiana Raís Director of Espacio Odeón http://www.espacioodeon.com/ Terremoto: The seventh edition of Feria Odeón is synonymous of stability. Initially Odeón began as a mixture of a cultural center and an independent space and later, in 2011, you launched Feria Odeón, platform that is projected “as an alternative to the traditional art fair model” to promote

Tatiana Rais y Alejandra Sarria_ directora y curatora de Feria Odeón. Imagen tomada de Instagram @lorena_munoz_alonso Tatiana Raís Directora de Espacio Odeón http://www.espacioodeon.com/ Terremoto: La séptima edición de Feria Odeón es sinónimo de estabilidad. Inicialmente Odeón comenzó como una mezcla de centro cultural y espacio independiente y posteriormente, en el 2011, lanzaron la plataforma Feria