Contemporary Art in the Americas Arte Contemporáneo en las Américas
Tunnelscape Tunnelscape

Tunnelscape

Michael Ray-Von

New Works + sodA mundial Chicago, Illinois, USA 05/04/2019 – 06/22/2019

Picture yourself flying through clouds in an enormous flute of clear glass. You’re flying over the American landscape: a passenger in a glass flute. You feel the breeze blow in through the many finger holes; and you try to count the holes, but you only count: 1, 1, 1, 1. Suddenly, the whole flute whistles,

Michael Ray-Von, All the lights are green in paradise (2019). Ed. 1/5, 60 cards. Image courtesy of  sodA mundial Michael Ray-Von, How many cops is this? (2019). Mixed technique. Image courtesy of  sodA mundial Michael Ray-Von, Acid traffic (2019). Brass, copper, plastic, resin, glass, acetate prints. Image courtesy of  sodA mundial Picture yourself flying through clouds in an enormous flute of

Spirit butterfly X

Spirit butterfly X

Oa4s

Lodos Ciudad de México, México 02/05/2018 – 03/31/2018

The spirit is the butterfly is X. An insect, with beautiful wings and a mythologized life-cycle as we know. After a life as a caterpillar with the single desire to eat through every type of fruit, the outside becomes tough and the inside a hot wet soup. When the inside and the outside separate so

Oa4S. Vista de la instalación Spirit Butterfly X en Lodos Gallery, Ciudad de México, México, 2018. Cortesía de Lodos Gallery Oa4S. Vista de la instalación Spirit Butterfly X en Lodos Gallery, Ciudad de México, México, 2018. Cortesía de Lodos Gallery Oa4S. Vista de la instalación Spirit Butterfly X en Lodos Gallery, Ciudad de México, México,

Círculos concéntricos Círculos concéntricos

Círculos concéntricos

Nicole-Antonia Spagnola, Diego Salvador Rios, Bedros Yeretzian and Michael Ray-Von

Amor Mexico City 07/15/2017 – 07/30/2017

  Diego Salvador Ríos, M_++S ~, 2008. Video, 11’07”. Concentric circles intersect and avoid each other altogether. The room is wrapped by 4 thin, painted stripes. They are silver, brown, red, and green, in turns. A vinyl text in ransom note font is affixed along them reading something with a feudal timbre. The text itself, in addressing some

Installation view. Círculos concéntricos at Amor, Mexico City. Image courtesy of Amor. Michael Ray-Von, A room is a portmanteau of things and other things. 2017. Brass. 30 x 100 cm. Image courtesy of Amor. Círculos concéntricos se cruzan y evitan unos entre otros. El espacio está envuelto por 4 delgadas franjas pintadas: plata, café, rojo y verde –una

todo lo (fshlw) sólido (plsh-plop) se desvanece (rrwrrwrrw, plsh) en el aire

todo lo (fshlw) sólido (plsh-plop) se desvanece (rrwrrwrrw, plsh) en el aire

Leonel Salguero & Michael Ray-Von

El Quinto Piso Mexico City 06/03/2017 – 07/02/2017

Organized by Antonella Rava Time and space are perfect partners. They dogpile and eat each other out. LIVE from the lava fields: with each eruption, a predecessor is displaced. A newborn river of fire somersaults down the mountain (becoming and becoming). A most porous outpouring of a pore, it collects whatever, whenever, disinterested. The flow

Leonel Salguero, Jarra. Sugar glass. Edition of 25. Variable dimensions. Courtesy of the artist. Photo by Ramiro Chávez Michael Ray-Von, 2007 Guatemala City sinkhole. Brass. 40.5 x 61 cm. Courtesy of the artist. Photo by Ramiro Chávez Installation view. Courtesy of the artists. Photo by Ramiro Chávez Organizado por Antonella Rava El tiempo y el espacio son

The Border Again The Border Again

The Border Again

Curated by Kelman Duran

Human Ressources Los Angeles, California, USA 02/26/2015 – 03/08/2015

ABTRACT: THE BORDER AGAIN // English by Kelman Duran As more and more artists from California started to come to Tijuana, we started noticing the effects and casual relationship developed through this crossing of borders due to the growing number of artists recently engaging Mexico, specifically Tijuana. This relationship has been growing and dissipating and

ABTRACT: THE BORDER AGAIN // English by Kelman Duran As more and more artists from California started to come to Tijuana, we started noticing the effects and casual relationship developed through this crossing of borders due to the growing number of artists recently engaging Mexico, specifically Tijuana. This relationship has been growing and dissipating and