Contemporary Art in the Americas Arte Contemporáneo en las Américas
PÒTOPRENS: The Urban Artists of Port-au-Prince PÒTOPRENS: The Urban Artists of Port-au-Prince

PÒTOPRENS: The Urban Artists of Port-au-Prince

Co-curated by Edouard Duval-Carrié and Leah Gordon

Museum of Contemporary Art North Miami North Miami, Florida, USA 04/23/2019 – 08/11/2019

In conjunction with Haitian Heritage Month, the Museum of Contemporary Art North Miami (MOCA) will display PÒTOPRENS: The Urban Artists of Port-au-Prince which brings together the work of over 20 artists working in the Haitian capital. The exhibition highlights Port-au-Prince’s many diverse centers of cultural production, informal street life, religious heritage and mythologies to create

PÒTOPRENS: The Urban Artists of Port-au-Prince (2019). Installation view. Photo by Daniel Bock PÒTOPRENS: The Urban Artists of Port-au-Prince (2019). Installation view. Photo by Daniel Bock PÒTOPRENS: The Urban Artists of Port-au-Prince (2019). Installation view. Photo by Daniel Bock In conjunction with Haitian Heritage Month, the Museum of Contemporary Art North Miami (MOCA) will display PÒTOPRENS: The Urban Artists of Port-au-Prince

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Curated by GeoVanna Gonzalez and Naiomy Guerrero

Supplement Projects Miami, Florida, USA 06/15/2019 – 08/04/2019

  [Unsubscribe] is a group show comprised of artists who use visual language dominant in the digital realm to engage questions of e-identity formation, and social interactions that play out in our imaginations—despite the absence of a physical presence. The exhibition considers the internet as a place not void of strategic categorization and intervention.  In Will

Danny Agnew (Roots Collective), Black is an Algorithm (2019). Printed t-shirt. Image courtesy of Supplement Projects Pastiche Lumumba, #EndlessScrollingGeneration No.1,2,3,4, animated GIFs. Image courtesy of Supplement Projects [UNSUBSCRIBE], Installation view (2019). Image courtesy of Supplement Projects [Unsubscribe] is a group show comprised of artists who use visual language dominant in the digital realm to engage questions of e-identity

Arenas y arenas y arenas

Arenas y arenas y arenas

Juan Pablo Garza

Dimensions Variable Miami, Florida, USA 05/11/2019 – 08/01/2019

By exercising a methodology of work that consists of collecting, intervening, modifying and organizing objects Juan Pablo Garza would make a single installation piece that would take over the gallery walls. A sustained and creative speculation from and around objects. Entities wavering between truth and fiction that will respond to instincts and logic interchangeably. Juan

Juan Pablo Garza, Arenas y arenas y arenas (2019). Installation view.  Photography by Francesco Casale Juan Pablo Garza, Arenas y arenas y arenas (2019). Installation view.  Photography by Francesco Casale Juan Pablo Garza, Arenas y arenas y arenas (2019). Installation view.  Photography by Francesco Casale By exercising a methodology of work that consists of collecting, intervening,

Ni Aquí, Ni Allá

Ni Aquí, Ni Allá

Luz Carabaño

Dimensions Variable Miami, Florida, USA 05/11/2019 – 08/01/2019

Ni Aquí, Ni Allá is a selection of Carabaño’s work which showcases the in-between space her paintings inhabit. Displacement plays a central role in these images. They stand between our world in their naturalistic renderings and another in abstract ambiguous fields. The paintings are always rooted in something seen, yet they are distant from their

Luz Carabaño, Ni Aquí, Ni Allá (2019). Installation view. Photo by Francesco Casale Luz Carabaño, Ni Aquí, Ni Allá (2019). Installation view. Photo by Francesco Casale Luz Carabaño, Ni Aquí, Ni Allá (2019). Installation view. Photo by Francesco Casale Ni Aquí, Ni Allá is a selection of Carabaño’s work which showcases the in-between space her paintings inhabit. Displacement plays a central role in these

Campo abierto Campo abierto

Campo abierto

Sheila Hicks

The Bass Miami, Florida, USA 04/13/2019 – 09/29/2019

Grouping works of art from various periods, Campo abierto (Open Field) explores the formal, social and environmental aspects of landscape that have been present, yet rarely examined, throughout Sheila Hicks’ expansive career. Prompting contemplations on collaboration, dialogue and discussion, the exhibition is rooted in the reconfiguration of Escalade Beyond Chromatic Lands (2016-2017), the artist’s vast installation produced for the

Sheila Hicks, Campo Abierto (2019). Installation view . Image courtesy of The Bass. Sheila Hicks, Campo Abierto (2019).Installation view. Image courtesy of The Bass. Sheila Hicks, Campo Abierto (2019). Installation view. Image courtesy of The Bass. Grouping works of art from various periods, Campo abierto (Open Field) explores the formal, social and environmental aspects of landscape that

Room for Failure Room for Failure

Room for Failure

Curated by Omar López-Chahoud

Piero Atchugarry Gallery Miami, Florida, USA 02/21/2019 – 05/19/2019

Room for Failure is a group exhibition about the thought process and connection that exists between the mental space of the creator and the end result (the artwork)—the subjective versus the objective. It is often associated with the simple action of defeat, collapse, and nonsuccess. Although “failure” has a negative connotation and it is read as

Andre Komatsu, Ruinas latino-americanas (2018). Digital manipulation printed on newspaper (Folha de São Paulo, 01/24/2018) and cotton string. Image courtesy of Piero Atchugarry Gallery Andre Komatsu, Terra plena 3 [project] (2019). 30 cement bags cut and hardened cement. Image courtesy of Piero Atchugarry Gallery William Cordova, Rami maki (Condensed history of Alchemy) (2019). Cut paper, ink, and paint.

Performing the self and other selves

Performing the self and other selves

Odalis Valdivieso

The Bass Miami, Florida, USA 12/01/2018 – 04/07/2019

Performing the self and other selves is a project by artist Odalis Valdivieso, featuring a new series of works on papers both new and recycled, highlighting the artist’s approach to storefront and public space. Valdivieso’s work is connected to the tradition of printmaking, which she uses in various ways as a trompe-l’œil surprising our understanding

Odalis Valdivieso, Performing the self and other selves (2018). Image courtesy of the artist Odalis Valdivieso, Performing the self and other selves (2018). Image courtesy of the artist Odalis Valdivieso, Performing the self and other selves (2018). Image courtesy of the artist Performing the self and other selves is a project by artist Odalis Valdivieso, featuring a new

I Don’t Wanna Wait For Our Lives To Be Over I Don’t Wanna Wait For Our Lives To Be Over

I Don’t Wanna Wait For Our Lives To Be Over

Manuel Solano

ICA Miami Miami, Florida, USA 11/01/2018 – 04/14/2019

I Don’t Wanna Wait for Our Lives to Be Over marks the first solo museum exhibition in the United States for Manuel Solano. Working across mediums, Solano explores issues of identity and its formation by drawing from their personal life, memories, and popular culture. That art and images are central to the construction of our

Manuel Solano, In the Metro or She’s Not Pretty (2018). Acrylic on canvas. Courtesy the artist and Efrain Lopez Gallery, Chicago Claudia Lozano, Chico (2018). Digital photograph. Courtesy the artist Manuel Solano, Claudia (2018). Acrylic on canvas. Courtesy the artist and Efrain Lopez Gallery, Chicago I Don’t Wanna Wait for Our Lives to Be Over marks

Solid Abstraction. Disobedience strategies in contemporary Cuban art Solid Abstraction. Disobedience strategies in contemporary Cuban art

Solid Abstraction. Disobedience strategies in contemporary Cuban art

Curated by Aldeide Delgado

Miami Biennale Miami, Florida, USA 04/19/2018 – 05/25/2018

Miami Biennale and Henrique Faria Fine Art present Solid Abstraction. Disobedience strategies in contemporary Cuban art featuring ten Cuban artists that work with different media ranging from painting, photography, installation, sculpture to site-specific interventions, and adopt methodologies from diverse disciplines, including anthropology, sociology, history, graphic design, data analysis and architecture, and urbanism. Solid Abstraction. Disobedience

Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale, Miami, 2018. Cortesía Alejandro Taquechel Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale, Miami, 2018. Cortesía Alejandro Taquechel Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale,

good evening beautiful blue good evening beautiful blue

good evening beautiful blue

Ugo Rondinone

The Bass Miami, Florida, USA 10/29/2017 – 03/25/2018

Spanning the entirety of the museum’s newly designed second floor, good evening beautiful blue by Ugo Rondinone was a part of a major multi-institution retrospective comprising works that span three decades of the artist’s practice, from the late 1990s to the present. From poetic installations in public spaces to life-size drawings, Rondinone’s work balances on the edge of

Installation view. Photography by Zachary Balber, courtesy of the artist and The Bass, Miami Beach. Installation view. Photography by Zachary Balber, courtesy of the artist and The Bass, Miami Beach. Installation view. Photography by Stefan Altenburger, courtesy of the artist and The Bass, Miami Beach. Spanning the entirety of the museum’s newly designed second floor,