Contemporary Art in the Americas Arte Contemporáneo en las Américas
I Don’t Wanna Wait For Our Lives To Be Over I Don’t Wanna Wait For Our Lives To Be Over

I Don’t Wanna Wait For Our Lives To Be Over

Manuel Solano

ICA Miami Miami, Florida, USA 11/01/2018 – 04/14/2019

I Don’t Wanna Wait for Our Lives to Be Over marks the first solo museum exhibition in the United States for Manuel Solano. Working across mediums, Solano explores issues of identity and its formation by drawing from their personal life, memories, and popular culture. That art and images are central to the construction of our

Manuel Solano, In the Metro or She’s Not Pretty (2018). Acrylic on canvas. Courtesy the artist and Efrain Lopez Gallery, Chicago Claudia Lozano, Chico (2018). Digital photograph. Courtesy the artist Manuel Solano, Claudia (2018). Acrylic on canvas. Courtesy the artist and Efrain Lopez Gallery, Chicago I Don’t Wanna Wait for Our Lives to Be Over marks

Solid Abstraction. Disobedience strategies in contemporary Cuban art Solid Abstraction. Disobedience strategies in contemporary Cuban art

Solid Abstraction. Disobedience strategies in contemporary Cuban art

Curated by Aldeide Delgado

Miami Biennale Miami, Florida, USA 04/19/2018 – 05/25/2018

Miami Biennale and Henrique Faria Fine Art present Solid Abstraction. Disobedience strategies in contemporary Cuban art featuring ten Cuban artists that work with different media ranging from painting, photography, installation, sculpture to site-specific interventions, and adopt methodologies from diverse disciplines, including anthropology, sociology, history, graphic design, data analysis and architecture, and urbanism. Solid Abstraction. Disobedience

Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale, Miami, 2018. Cortesía Alejandro Taquechel Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale, Miami, 2018. Cortesía Alejandro Taquechel Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale,

good evening beautiful blue good evening beautiful blue

good evening beautiful blue

Ugo Rondinone

The Bass Miami, Florida, USA 10/29/2017 – 03/25/2018

Spanning the entirety of the museum’s newly designed second floor, good evening beautiful blue by Ugo Rondinone was a part of a major multi-institution retrospective comprising works that span three decades of the artist’s practice, from the late 1990s to the present. From poetic installations in public spaces to life-size drawings, Rondinone’s work balances on the edge of

Installation view. Photography by Zachary Balber, courtesy of the artist and The Bass, Miami Beach. Installation view. Photography by Zachary Balber, courtesy of the artist and The Bass, Miami Beach. Installation view. Photography by Stefan Altenburger, courtesy of the artist and The Bass, Miami Beach. Spanning the entirety of the museum’s newly designed second floor,

Nearly Contemporary Nearly Contemporary

Nearly Contemporary

Odalis Valdivieso

ArtCenter/South Florida's Windows @ Walgreens Miami, Florida, USA 11/25/2017 – 02/18/2018

Nearly Contemporary is an exhibition featuring a new series of works on paper and wood panel by Miami-based artist Odalis Valdivieso. The project is part of ArtCenter/South Florida’s Windows @ Walgreens program. Fragments of internal dialogues about the exhibition Odalis Valdivieso … On the exhibition Odalis Valdivieso To me, an exhibition is specifically defined as

Odalis Valdivieso. Installation view of Nearly Contemporary, ArtCenter/South Florida’s Windows @ Walgreens program, 2017-2018. Courtesy of ArtCenter/South Florida Odalis Valdivieso. Installation view of Nearly Contemporary, ArtCenter/South Florida’s Windows @ Walgreens program, 2017-2018. Courtesy of ArtCenter/South Florida Odalis Valdivieso. Installation view of Nearly Contemporary, ArtCenter/South Florida’s Windows @ Walgreens program, 2017-2018. Courtesy of ArtCenter/South Florida Nearly

p e r Sway

p e r Sway

Nancy Davidson

Locust Projects Miami, Florida, USA 11/18/2017 – 01/20/2018

Locust Projects presents p e r Sway, a multimedia installation by New York-based interdisciplinary artist Nancy Davidson from November 18, 2017, through January 20, 2018. Referencing symbols of power and control, theater and performance, history and biophysics, per Sway finds Davidson holding a distorted mirror to our bizarre and horrifying political climate, a world turned upside

Nancy Davidson. Installation view of p e r Sway, Locust Projects, Miami, 2017. © Studio LHOOQ, courtesy of Locust Projects Nancy Davidson. Installation view of p e r Sway, Locust Projects, Miami, 2017. © Studio LHOOQ, courtesy of Locust Projects Nancy Davidson. Installation view of p e r Sway, Locust Projects, Miami, 2017. © Studio

Sour Patch Sour Patch

Sour Patch

Tschabalala Self

Thierry Goldberg Gallery Miami, USA 12/05/2017 – 01/14/2018

Known for her sewn collage and assemblage paintings, which boldly examine contemporary perspectives on femininity, race, and gender, Tschabalala Self’s new body of work further explores the environments of identity politics by focusing specifically on bodegas—public storefronts that serve as a hallmark of lower-income Black and Latinx communities throughout New York City. Bodegas, often locally

Tschabalala Self. Installation view of Sour Patch, Thierry Goldberg Gallery, Miami, 2017. Courtesy of Thierry Goldberg Gallery Tschabalala Self, Ice Cream, 2017. Hand-colored digital archive print on German etching paper, crayon, colored pencil, and watercolor, 21 1/2h x 16 1/2w in. Courtesy of Thierry Goldberg Gallery Tschabalala Self. Installation view of Sour Patch, Thierry Goldberg

I Know What I Meant to Mean I Know What I Meant to Mean

I Know What I Meant to Mean

Daniel Jimenez

MIAMI Bogotá, Colombia 06/30/2017 – 08/22/2017

Tecnologías ancestrales Nos mienten. Siempre nos han mentido, todos los hechos son pre-fabricados, cortinas de humo. Escépticos de todo el mundo sentados mirando sus teléfonos celulares, enfrascados en sus patéticos micro-mundos, en sus fantasías eróticas que jamás van a cumplir, engañados por terribles y poderosas sectas que controlan el mundo. Así están las cosas querido

Vista de instalación. Cortesía de MIAMI, Bogotá. Vista de instalación. Cortesía de MIAMI, Bogotá. Codito Verbenal, 2017. Cortesía de MIAMI, Bogotá. Tecnologías ancestrales Nos mienten. Siempre nos han mentido, todos los hechos son pre-fabricados, cortinas de humo. Escépticos de todo el mundo sentados mirando sus teléfonos celulares, enfrascados en sus patéticos micro-mundos, en sus fantasías

Fashion Number One Rule Number Rule Number One Fashion Number One Rule Number Rule Number One

Fashion Number One Rule Number Rule Number One

Emilio Bianchic

MIAMI Prácticas Contemporáneas Bogotá, Colombia 03/16/2017 – 03/30/2017

Fashion Number One Rule Number Rule Number One es una exposición individual del artista uruguayo Emilio Bianchic en la que nos presenta algunos de sus trabajos más recientes, atravesados por el lenguaje del Nail Art. La costumbre de dejarse crecer las uñas hasta proporciones extremas y decorarlas con sofisticados motivos y colores, viene de una

Vista de instalación (de izquierda a derecha): Uh la lá la la la lá, 2016; Fashion number one rule number rule number one, 2017; Impráctica III, 2016. Cortesía de MIAMI, Bogotá. Fotografía: Santiago Pinyol. Emilio Bianchic, Fashion number one rule number rule number one, 2017. Cortesía de MIAMI, Bogotá. Fotografía: Santiago Pinyol. Emilio Bianchic, Impráctica,

Form into Action Form into Action

Form into Action

Julio Le Parc

Pérez Art Museum Miami (PAMM) Miami, Florida, USA 11/18/2016 – 03/19/2017

Pérez Art Museum Miami (PAMM) presents the first U.S. museum survey of Argentine artist Julio Le Parc. On view through March 19, 2017, Julio Le Parc: Form into Action features over 100 works that spark a variety of visual and physical experiences. Including major installations and rarely seen works on paper and archival materials, the exhibition is a long-overdue

Julio Le Parc: Form into Action, installation view Pérez Art Museum Miami, 2016. Photo courtesy PAMM. Julio Le Parc, Sphère rouge (Red Sphere), 2001–12. Plexiglas and nylon. Diameter: 122 11/16 inches. Courtesy the artist. Julio Le Parc © 2016 Artists Rights Society (ARS), New York / ADAGP, Paris. Photo: André Morin Julio Le Parc, Continuel-lumière

Sometimes Random Sometimes Random

Sometimes Random

Lynne Golob Gelfman

Noguchi Breton Miami, Florida, USA 11/18/2016 – 01/14/2017

Noguchi Breton presents Sometimes Random, an exhibition of new paintings by Lynne Golob Gelfman. Based in South Florida, Gelfman gained a reputation for her distinctive process-based paintings that explore the interplay between structure and randomness, discipline and freedom, control and chance. This concern, a foundation of her career, was the basis of Gelfman’s thru series, begun in

Installation View, 2016. Courtesy of Noguchi Breton. Photo credit: Zack Balber. Installation View, 2016. Courtesy of Noguchi Breton. Photo credit: Zack Balber. thru 3.7, 2015. Acrylic on canvas. 48 x 48 inches. Courtesy of Noguchi Breton. Photo credit: Zack Balber. Noguchi Breton presents Sometimes Random, an exhibition of new paintings by Lynne Golob Gelfman. Based