Contemporary Art in the Americas Arte Contemporáneo en las Américas
Historias invertidas Historias invertidas

Historias invertidas

Esvin Alarcón Lam

META Miami Miami, Florida, USA January 30, 2020 – April 16, 2020

For Esvin Alarcón Lam, a young artist coming of age in present-day Guatemala, both his country’s and his own social, geographical and historical vantage points serve as the same points of departure for his creative practice. In the digital, ever-connected present, these perspectives serve Alarcón Lam as an impetus to mine both the physical and

Esvin Alarcón Lam, Historias invertidas (2020). Installation view. Image courtesy of META Miami Esvin Alarcón Lam, Historias invertidas (2020). Installation view. Image courtesy of META Miami Esvin Alarcón Lam, Historias invertidas (2020). Installation view. Image courtesy of META Miami For Esvin Alarcón Lam, a young artist coming of age in present-day Guatemala, both his country’s

Dilatantes Dilatantes

Dilatantes

Mercedes Elena González

META Miami with Henrique Faria Fine Art Miami, Florida, USA September 11, 2019 – January 23, 2020

  Hybridizations When observing the components of Mercedes Elena González’s recent work, grouped together here under the title Dilatantes, we could assume that they form an integral part of an “archive” or “register” of successive previous works. With this temporal recuperation, González establishes a formal and conceptual continuity that is a function of the traces

Mercedes Elena González, Dilatantes (2019). Vista de instalación. Imagen cortesía de Miami Biennale Mercedes Elena González, Dilatantes (2019). Vista de instalación. Imagen cortesía de Miami Biennale Mercedes Elena González, Dilatantes (2019). Vista de instalación. Imagen cortesía de Miami Biennale Hibridaciones Al observar los componentes de la obra reciente de Mercedes Elena González, agrupados bajo el título Dilatantes, podemos asumir que son

Reconstrucción

Reconstrucción

Emilia Azcárate, Alessandro Balteo-Yazbeck and others

Miami Biennale Miami, Florida, USA 06/06/2019 – 09/04/2019

In times of intense political and social upheaval, such as that roiling Venezuela currently, symbols of national and cultural significance can be cast in a new light. Techniques of nationalistic propaganda tend to rely on historical images of past greatness to retain support, while oppositional movements challenge the status quo and question the narratives that

Reconstrucción (2019). Vista de instalación. Imagen cortesía de Miami Biennale Reconstrucción (2019). Vista de instalación. Imagen cortesía de Miami Biennale Reconstrucción (2019). Vista de instalación. Imagen cortesía de Miami Biennale En tiempos de agitación política y social intensa, como la que aflige a Venezuela en la actualidad, los símbolos de importancia nacional y cultural pueden

Solid Abstraction. Disobedience strategies in contemporary Cuban art Solid Abstraction. Disobedience strategies in contemporary Cuban art

Solid Abstraction. Disobedience strategies in contemporary Cuban art

Curated by Aldeide Delgado

Miami Biennale Miami, Florida, USA 04/19/2018 – 05/25/2018

Miami Biennale and Henrique Faria Fine Art present Solid Abstraction. Disobedience strategies in contemporary Cuban art featuring ten Cuban artists that work with different media ranging from painting, photography, installation, sculpture to site-specific interventions, and adopt methodologies from diverse disciplines, including anthropology, sociology, history, graphic design, data analysis and architecture, and urbanism. Solid Abstraction. Disobedience

Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale, Miami, 2018. Cortesía Alejandro Taquechel Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale, Miami, 2018. Cortesía Alejandro Taquechel Group show. Exhibition view of Solid Abstraction. Disobedience strategies in Contemporary Cuban Art, Miami Biennale,