Contemporary Art in the Americas Arte Contemporáneo en las Américas
AI-5 50 YEARS – it still isn’t over yet AI-5 50 YEARS – it still isn’t over yet

AI-5 50 YEARS – it still isn’t over yet

Curated by Paulo Miyada

Instituto Tomie Ohtake Sao Paulo 09/04/2018 – 11/04/2018

“What is the purpose of an art institution in a country like Brazil, today, in 2018? Even though this doesn’t directly reach the spectators, this is a question that Instituto Tomie Ohtake’s employees face every day, dealing with the responsibilities intrinsic to the work they develop. There are several different answers for this question and

AI-5 50 YEARS – still hasn’t ended yet. Installation view at Instituto Tomie Ohtake, 2018. Photo courtesy of Instituto Tomie Ohtake AI-5 50 YEARS – still hasn’t ended yet. Installation view at Instituto Tomie Ohtake, 2018. Photo courtesy of Instituto Tomie Ohtake. AI-5 50 YEARS – still hasn’t ended yet. Instalation View at Instituto Tomie

33ª Bienal de São Paulo, Brasil 33ª Bienal de São Paulo, Brasil

33ª Bienal de São Paulo, Brasil

Por Germano Dushá São Paulo, Brasil 09/07/2018 – 12/09/2018

White-label Bienal At the beginning of September, the first edition of the Bienal de São Paulo was opened to the public after the coup d’état, which in August 2016 resulted in the impeachment of the then President, Dilma Rousseff. During this period, Brazil experienced its most heightened political turmoil in recent history and, currently, it

Installation view of Wura-Natasha Ogunji’s exhibition. 33rd Bienal de São Paulo: Affective Affinities, 2018. © Leo Eloy / Estúdio Garagem / Bienal de São Paulo Foundation White-label Bienal A principios de septiembre abrió al público la primera edición de la Bienal de São Paulo realizada tras el golpe de Estado que en agosto de 2016