Contemporary Art in the Americas Arte Contemporáneo en las Américas
#RenunciaPiñera. Arte urgente durante estado de excepción en Chile #RenunciaPiñera. Arte urgente durante estado de excepción en Chile

#RenunciaPiñera. Arte urgente durante estado de excepción en Chile

aliwen

Santiago, Chile

#RenunciaPiñera. Urgent art during the state of emergency in Chile The still ongoing outbreak that began in Chile during October 2019, also called “The Revolution of 30 Pesos” or “The October Revolution”, is a massive and spontaneous civil movement that emerged from the protests organized by high school students. The source of the students’ unconformity

Autore no identificade. 5 de octubre de 1988. Manifestantes celebrando el triunfo del plebiscito que destituyó al dictador Augusto Pinochet se apropian de la consigna «No +» del Grupo C.A.D.A, fotografía análoga 35 mm., Plaza de la Dignidad [Baquedano], Santiago, Chile. Imagen cortesía Lotty Rosenfeld El estallido aún en desarrollo que comenzó en Chile durante

Embodied Absence: Chilean Art of the 1970s Now Embodied Absence: Chilean Art of the 1970s Now

Embodied Absence: Chilean Art of the 1970s Now

Elías Adasme, Carmen Beuchat, Felipe Mujica with Johanna Unzueta, and more...

Carpenter Center for the Visual Arts Cambridge, Massachusetts, USA 10/27/2016 – 01/08/2017

Artists: Elías Adasme, Carmen Beuchat, Felipe Mujica with Johanna Unzueta, CADA (Colectivo Acciones de Arte), Francisco Copello, Luz Donoso, Juan Downey, Carlos Leppe, Catalina Parra, Lotty Rosenfeld, UNAC (Unión por la Cultura), Cecilia Vicuña, and Raúl Zurita with Cristóbal Lehyt. Responding to the coup d’état and its aftermath in the 1970s, Chilean artists residing in Santiago and abroad created works

Installation view, Embodied Absence: Chilean Art of the 1970s Now, Carpenter Center for the Visual Arts, Sert Gallery, Oct 27, 2016–Jan 8, 2017. Left: Carlos Leppe, Las Cantatrices, 1979. Right: Francisco Copello, Il Gioco dell´Ambiguita (The Ambiguity Game), 1977. Courtesy Carpenter Center for the Visual Arts, Harvard University. CADA (Colectivo Acciones de Arte), So as

#1: Cartagena #1: Cartagena

#1: Cartagena

Cartagena de Indias Atlántico, Colombia 02/07/2014 – 04/07/2014

Curators : Berta Sichel with co-curators Bisi Silva, Barbara Krulik, Paul Willemsen (International exhibition) and Miguel Gonzalez, Gabriela Rangel, Stephanie Rosenthal (Colombian artists exhibition) #1: Cartagena is an issue-oriented project with works spread throughout the historic district. #1: Cartagena reflects on the cultural traditions of the people, the history and the deep connections to the colonial past, as well

Curators : Berta Sichel with co-curators Bisi Silva, Barbara Krulik, Paul Willemsen (International exhibition) and Miguel Gonzalez, Gabriela Rangel, Stephanie Rosenthal (Colombian artists exhibition)     #1: Cartagena is an issue-oriented project with works spread throughout the historic district. #1: Cartagena reflects on the cultural traditions of the people, the history and the deep connections to the colonial past,