Contemporary Art in the Americas Arte Contemporáneo en las Américas
Quality Time

Quality Time

Curated by ERAS Magazine

Proxyco New York, USA 07/17/2019 – 08/29/2019

Revista ERAS (ERAS Magazine) was created with the aim of being a space for free experimentation and expression. Each issue has a theme that is open to be understood and interpreted in varied ways. We invite a group of collaborators for each issue—artists, writers, musicians, gallerists, curators, scientists, historians—to submit content for four pages of

Quality Time (2019). Installation view. Image courtesy of Proxyco Quality Time (2019). Installation view. Image courtesy of Proxyco Quality Time (2019). Installation view. Image courtesy of Proxyco Revista ERAS (ERAS Magazine) was created with the aim of being a space for free experimentation and expression. Each issue has a theme that is open to be understood and interpreted

Portadores de sentido. Arte contemporáneo en la Colección Patricia Phelps de Cisneros, en Museo Amparo Portadores de sentido. Arte contemporáneo en la Colección Patricia Phelps de Cisneros, en Museo Amparo

Portadores de sentido. Arte contemporáneo en la Colección Patricia Phelps de Cisneros, en Museo Amparo

Por Irving Domínguez Puebla, México 02/09/2019 – 07/22/2019

Preface In the year 2016, the Museum of Modern Art of New York (MoMA) received a donation composed of 102 works of art from the Colección Patricia Phelps de Cisneros (CPPC). With it came the Cisneros Institute dedicated to the research of art produced in Latin America. [1] Both its director, Glenn Lowry, and the director

Vista de instalación, Portadores de sentido. Arte contemporáneo en la Colección Patricia Phelps de Cisneros, Museo Amparo, Puebla, México, 2019. Imagen cortesía Museo Amparo Preámbulo En el año 2016 el Museo de Arte Moderno de Nueva York (MoMA) recibió en donación 102 obras de arte provenientes de la Colección Patricia Phelps de Cisneros (CPPC). Con

Radical Women: Latin American Art, 1960-1985 Radical Women: Latin American Art, 1960-1985

Radical Women: Latin American Art, 1960-1985

Curated by Cecilia Fajardo-Hill and Andrea Giunta

Pinacoteca de São Paulo São Paulo, Brasil 08/18/2018 – 11/19/2018

From August 18 to November 19, 2018, the Pinacoteca de São Paulo, a museum of the Secretariat of Culture of the State of São Paulo, presents the major group exhibition Radical Women: Latin American Art, 1960-1985, on display on the first floor of the Pinacoteca. Curated by British Venezuelan art historian and curator Cecilia Fajardo-Hill

Radical Women: Latin American Art 1960-1985. Installation view at Pinacoteca de São Paulo, Brasil, 2018. Image courtesy of Pinacoteca de São Paulo Radical Women: Latin American Art 1960-1985. Installation view at Pinacoteca de São Paulo, Brasil, 2018. Image courtesy of Pinacoteca de São Paulo Radical Women: Latin American Art 1960-1985. Installation view at Pinacoteca de

Other Situations: Liliana Porter at SCAD Museum of Art, Savannah, Georgia Other Situations: Liliana Porter at SCAD Museum of Art, Savannah, Georgia

Other Situations: Liliana Porter at SCAD Museum of Art, Savannah, Georgia

by Aldeide Delgado Savannah, Georgia, USA 08/17/2017 – 01/07/2018

  Reclaiming Subjectivity in the Museum In the prologue of A Brief History of Curating, Christophe Cherix claims that while the “modern figure of the art critic has been widely recognized since Diderot and Baudelaire, the curator’s true raison d’être remains largely undefined.” Exhibition curation as a field of study continues to be a relatively

Trabajo Forzado/Forced Labor (mujer barriendo) [Sweeping Woman], 2004- 2017. Figurín en estante de madera y polvo de aspiradora. Cortesía de la artista y SCAD Museum of Art. Pensar la subjetividad en el museo En el prólogo del libro Breve historia del comisariado Christophe Cherix plantea que si bien la figura moderna del crítico de arte

Colección Jumex, In Girum Imus Nocte et Consumimur Igni

Colección Jumex, In Girum Imus Nocte et Consumimur Igni

Curated by Eva Svennung, Fernando Mesta, Bernadette Van-Huy, Nicolas Ceccaldi, Peter Wächtler, and Susana Vargas

Museo Jumex Ciudad de México, México 07/11/2015 – 10/04/2015

Siguiendo la tradición de invitar a curadores externos a concebir y organizar exposiciones con la Colección Jumex, esta muestra es un ejercicio de libre interpretación a partir de obras en la colección realizado por Eva Svennung, Fernando Mesta, los artistas Bernadette Van-Huy, Nicolas Ceccaldi y Peter Wächtler, y la investigadora Susana Vargas. La exposición retoma

Siguiendo la tradición de invitar a curadores externos a concebir y organizar exposiciones con la Colección Jumex, esta muestra es un ejercicio de libre interpretación a partir de obras en la colección realizado por Eva Svennung, Fernando Mesta, los artistas Bernadette Van-Huy, Nicolas Ceccaldi y Peter Wächtler, y la investigadora Susana Vargas. La exposición retoma