Contemporary Art in the Americas Arte Contemporáneo en las Américas
Extract 02: Margarita Cabrera´s Presentation Speech at the Desert Botanical Garden in October 2016

Extract 02: Margarita Cabrera´s Presentation Speech at the Desert Botanical Garden in October 2016

Margarita Cabrera

Good evening and buenas tardes… It is a beautiful October night to be celebrating with all of you in this extraordinary desert botanical garden. A garden of plants, culture, and spirits—a garden without borders. I want to begin this evening by thanking, and applauding Julio César Morales, curator of ASU Art Museum, for bringing space

Discurso de presentación de Margarita Cabrera en el Desert Botanical Garden en Octubre 2016 Buenas tardes y good evening… Es una hermosa noche de octubre para celebrar con todxs ustedes en este extraordinario Jardín Botánico del Desierto. Un jardín de plantas, cultura y espíritus –un jardín sin fronteras. Quiero comenzar esta noche agradeciendo y aplaudiendo

“Juntos Together” — Iván Argote’s first solo exhibition in a U.S. museum, his work around “radical tenderness” at ASU Art Museum! “Juntos Together” — Iván Argote’s first solo exhibition in a U.S. museum, his work around “radical tenderness” at ASU Art Museum!

“Juntos Together” — Iván Argote’s first solo exhibition in a U.S. museum, his work around “radical tenderness” at ASU Art Museum!

Iván Argote

ASU Art Museum Tempe, Arizona August 17, 2019 – January 4, 2020

Juntos Together Iván Argote August 17, 2019 – January 4, 2020 51 E 10th St, Tempe, AZ 85281, United States For more information visit: ASU Art Museum Facebook / Instagram / Twitter In his first solo museum exhibition in the U.S., Juntos Together presents films, videos, sculpture and site-specific installations by Colombian-born, Paris-based artist, Iván Argote. The exhibition includes Argote’s first

Juntos Together Iván Argote August 17, 2019 – January 4, 2020 51 E 10th St, Tempe, AZ 85281, United States For more information visit: ASU Art Museum Facebook / Instagram / Twitter In his first solo museum exhibition in the U.S., Juntos Together presents films, videos, sculpture and site-specific installations by Colombian-born, Paris-based artist, Iván Argote. The exhibition includes Argote’s first

Talking to Action: Art, Pedagogy and Activism in the Americas Talking to Action: Art, Pedagogy and Activism in the Americas

Talking to Action: Art, Pedagogy and Activism in the Americas

Curated by Bill Kelley, Jr & Karen Moss

ASU Art Museum Tempe, Arizona, USA 02/09/2019 – 07/06/2019

ASU Art Museum hosts the traveling exhibition, Talking to Action: Art, Pedagogy, and Activism in the Americas, part of the Getty initiative Pacific Standard Time: LA/LA, and a unique showcase of Latin and Latinx artists. Comprised of sculptures, drawings, photography, videos, banners and more, Talking to Action investigates contemporary, community-based social art practices in the

Frente 3 de Fevereiro, Nou Pap Obeyi [No Vamos Obedecer/We Will Not Obey] action, 2015. Photo: Daniel Lima. Image courtesy of the ASU Museum of Art BijaRi on the rooftops of Santo Domingo as part of the intervention project Contando con Nosotros, 2011. Digital photo. Encuentro Internacional de Medellín MDE11, Museo de Antioquia. Image courtesy

Home — So Different, So Appealing Home — So Different, So Appealing

Home — So Different, So Appealing

Curated by Chon Noriega, Mari Carmen Ramírez and Pilar Tompkins Rivas

LACMA Los Angeles, California, USA 06/11/2017 – 10/15/2017

Artists: Laura Aguilar, Allora & Calzadilla (Jennifer Allora & Guillermo Calzadilla), Carmen Argote, Andres Asturias, Luis Cruz Azaceta, Myrna Báez, Antonio Berni, Johanna Calle, Luis Camnitzer, Leyla Cárdenas, Livia Corona Benjamin, Abraham Cruzvillegas, Gabriel de la Mora, Perla de Leon, Christina Fernandez, León Ferrari, Ramiro Gomez, Beatriz González, María Elena González, Felix González -Torres, María Teresa Hincapié, Salomón Huerta, Jessica Kairé, Guillermo Kuitca, Daniel Joseph Martinez, Antonio Martorell, Gordon Matta-Clark, Amalia Mesa-Bains, Mondongo (Juliana Lafitte & Manuel Mendanha), Raphael Montañez Ortiz, Julio Cesar Morales, Jorge

Laura Aguilar, In Sandy’s Room, 1989, Gelatin silver print, 52 × 42 3/4 in. (132.08 × 108.59 cm), Courtesy of UCLA Chicano Studies Research Center and Library & Archive, © Laura Aguilar Installation photo featuring Pepón Osorio’s Badge of Honor, 1995 in the exhibition Home—So Different, So Appealing at the Los Angeles County Museum of Art, June 11, 2017

More/Than/This

More/Than/This

Richard T. Walker

Galería CURRO Guadalajara, Jalisco, México 05/18/2017 – 07/28/2017

At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art because it was abstract, not figurative. In contrast, my intention in On Land was to make music that was like figurative painting, but without referring to the history of

Richard T. Walker, installation view of More/Than/This, curated by Julio César Morales. Courtesy of CURRO gallery Richard T. Walker, Left: This as determined by these #2, 2016. Right: The other side of meaning something other than this, 2015. Courtesy of CURRO gallery Richard T. Walker, installation view of More/Than/This, curated by Julio Morales. Courtesy of CURRO gallery At the

Hopefully Invisible

Hopefully Invisible

Julio César Morales

Proyectos Impala Ciudad Juárez, Chihuahua, México 08/07/2016 – 09/30/2016

En su primera exposición en Ciudad Juárez, Julio César Morales presenta una selección de un video y 18 acuarelas de sus series en curso Undocumented Interventions y Narco Headlines. La primera representa a la trata de personas que viajan en contrabando hacia los Estados Unidos. Las imágenes son escogidas tanto de la memoria del artista

En su primera exposición en Ciudad Juárez, Julio César Morales presenta una selección de un video y 18 acuarelas de sus series en curso Undocumented Interventions y Narco Headlines. La primera representa a la trata de personas que viajan en contrabando hacia los Estados Unidos. Las imágenes son escogidas tanto de la memoria del artista