Contemporary Art in the Americas Arte Contemporáneo en las Américas
requiem

requiem

Organizado por Omar Velázquez

Hidrante San Juan, Puerto Rico November 22, 2019 – January 3, 2020

Hidrante is pleased to present its 25th exhibition, requiem, organized by OmarVelázquez, with works by Rebecca Adorno, Herman Aguirre, Cindy Bernhard, Javier Bosques, Guillermo Rodríguez, Jonathan Torres, José Luis Vargas, OmarVelázquez, CD Wu. Interest in the process of passing from life to death is as old as human culture itself. requiem plays as an allegory to

requiem (2019). Vista de instalación. Imagen cortesía de Hidrante requiem (2019). Vista de instalación. Imagen cortesía de Hidrante requiem (2019). Vista de instalación. Imagen cortesía de Hidrante Hidrante se complace en presentar su 25.a exhibición, requiem, organizado por Omar Velázquez, con obra por Rebecca Adorno, Herman Aguirre, Cindy Bernhard, Javier Bosques, Guillermo Rodríguez, Jonathan Torres, José

cualesquiera cualesquiera

cualesquiera

nibia pastrana santiago

Hidrante San Juan, Puerto Rico October 11, 2019 – November 15, 2019

nibia pastrana santiago (PR, 1987) centers her practice on the strategic use of time and space to create choreographic events. Her work experiments with these elements to question notions of territory, fiction, laziness, eroticism, and tourism. nibia pastrana santiago’s first solo show presents a selection of works developed from 2013 to the present: lists, videos

nibia pastrana santiago, cualesquiera (2019). Vista de instalación. Imagen cortesía de Hidrante nibia pastrana santiago, cualesquiera (2019). Vista de instalación. Imagen cortesía de Hidrante nibia pastrana santiago, cualesquiera (2019). Vista de instalación. Imagen cortesía de Hidrante dame un paso cualquiera cualquiera de estas coreografías me servirá todas las secuencias me gustan y cualquiera me parecerá bien se establece

Morder el polvo Morder el polvo

Morder el polvo

Beatriz Santiago Muñoz, Javier Fresneda y Seth Ferris

Hidrante San Juan, Puerto Rico 06/21/2019 – 07/26/2019

Hidrante is pleased to present its 23rd exhibition, morder el polvo, with Beatriz Santiago Muñoz, Javier Fresneda, and Seth Ferris. morder el polvo is an exhibition featuring works that mine the sites of past, present, and future of colonialist militarization in Puerto Rico. By focusing on the postmilitary legacies of the Old San Juan forts,

Seth Ferris, After Vieques (2019). Video HD, color, sonido. Cortesía del artista e Hidrante Seth Ferris, After Vieques (2019). Acrílico Perspex, pintura en spray. Cortesía del artista e Hidrante morder el polvo (2019). Vista de exhibición. Cortesía de Hidrante Hidrante presenta su 23a exhibición, morder el polvo, con Beatriz Santiago Muñoz, Javier Fresneda, y Seth

Descontinentalizar el archipiélago

Descontinentalizar el archipiélago

Arnaldo Rodríguez Bagué

Hidrante San Juan, Puerto Rico 07/13/2018 – 08/10/2018

Arnaldo Rodríguez Bagué’s practice as an artist, curator, and researcher is centered on the appropriation and reformulation of contexts, genealogies and archives by way of video, photography, documentary cinema, and curating as performance. His artistic research, Caribe-Yet-To-Come, operates in the intersections of insular geography, continental science fiction, and the performance of the archipelagos to generate

Arnaldo Rodríguez Bagué. Vista de instalación Descontinentalizar el archipiélago en Hidrante, Puerto Rico, 2018. Cortesía de Hidrante Arnaldo Rodríguez Bagué. Vista de instalación Descontinentalizar el archipiélago en Hidrante, Puerto Rico, 2018. Cortesía de Hidrante Arnaldo Rodríguez Bagué. Vista de instalación Descontinentalizar el archipiélago en Hidrante, Puerto Rico, 2018. Cortesía de Hidrante La práctica de Arnaldo Rodríguez Bagué como artista visual, curador

Ultramarino

Ultramarino

Esvin Alarcón Lam

Hidrante San Juan, Puerto Rico March 2, 2018 – April 6, 2018

Hidrante presents its 17th exhibition, Ultramarino, by Esvin Alarcón Lam (Guatemala City, 1988). Esvin Alarcón Lam’s practice is based on the recontextualization of found materials and the histories to which these points. Starting from a practice that addresses sculpture, installation, painting, video, and performance, Alarcón Lam navigates the interstice of the social, political, cultural, personal,

Esvin Alarcón Lam. Vista de la instalación Ultramarino, Hidrante, San Juan, Puerto Rico, 2018. Cortesía de Hidrante Esvin Alarcón Lam. Vista de la instalación Ultramarino, Hidrante, San Juan, Puerto Rico, 2018. Cortesía de Hidrante Esvin Alarcón Lam. Vista de la instalación Ultramarino, Hidrante, San Juan, Puerto Rico, 2018. Cortesía de Hidrante Hidrante presenta su 17ma

Chicharrón

Chicharrón

Mara Corsino

Hidrante San Juan, Puerto Rico 01/05/2018 – 02/09/2018

Chicharrón is the first solo exhibition of Mara Corsino (San Juan, 1979), a Puerto Rican photographer who lives and works in Brooklyn, US. For this occasion, Corsino presents her documentary project by the same name, concentrating on portraits of different women who self-identify as latinas. Chicharrón seeks to explore the expression of latinidad, understood as

Mara Corsino. Vista de la instalación Chicharrón, Hidrante, San Juan, Puerto Rico, 2018. Fotografía cortesía de Raquel Perez Puig y Daniela Paola (SUPAKID) Mara Corsino. Vista de la instalación Chicharrón, Hidrante, San Juan, Puerto Rico, 2018. Fotografía cortesía de Raquel Perez Puig y Daniela Paola (SUPAKID) Mara Corsino. Vista de la instalación Chicharrón, Hidrante, San

Music & Martyrs Vol. 1 Music & Martyrs Vol. 1

Music & Martyrs Vol. 1

Ricardo Morales-Hernández

Hidrante San Juan, Puerto Rico 01/08/2017 – 02/01/2017

Nothing new The head sustaining Meanwhile: fornication everywhere eyes, mind & heart The onomatopoeic music deafen the voice of the martyrs persecution systems grow clever the great harlot rejoice at her last sip of the cup blood inside pitiful monster all evil is apostate generative from that broken garden On February 15, 2015 a gruesome

Mystic Union in Christ SDG–016–013, 2016. Acrylic and graphite on canvas. 16 x 20 in (40.6 x 50.8 cm). Courtesy of the artist. Music & Martyrs – Volume 1, 2017. Exhibition view. Courtesy of the artist. Music & Martyrs – Volume 1, 2017. Exhibition view. Courtesy of the artist. Nothing new The head sustaining Meanwhile: