Contemporary Art in the Americas Arte Contemporáneo en las Américas
Twilight Chorus Twilight Chorus

Twilight Chorus

Co-curated with guadalajara90210

The Chimney New York, USA 05/31/2019 – 07/14/2019

As the sun recedes below the horizon, a soft and uncertain glowing light permeates the landscape. The twilight—an in-between and temporally ambiguous moment—only lasts a few minutes. At this time, the small and almost invisible creatures of the natural realm become most active: they leave their hiding place to bustle into the night and dance

Mariana Garibay Raeke, You feel like salt (2019). Steel, reed, ixtle, salt. Image courtesy of The Chimney Héctor Jiménez Castillo, Rrrrrrrrrrradio (2019). Painted PVC boxes. Image courtesy of The Chimney Ilana Harris-Babou, Untitled Lamp from Reparation Hardware (2018). Ceramic, apoxy resin & lamp.  Image courtesy of The Chimney As the sun recedes below the horizon, a soft

Pabellón de las escaleras Pabellón de las escaleras

Pabellón de las escaleras

Mauricio Alejo, Gwladys Alonzo, Anahuacalli, Lorena Ancona, Ramiro Ávila, y más...

guadalajara90210 Ciudad de México 02/10/2019 – 03/31/2019

guadalajara90210 presents Pabellón de las escaleras, a collective exhibition morphing into a pavilion of stairs made by artists across disciplines—architecture, contemporary art and industrial design. The space is a building under-construction, with some parts open-top and a cemented labyrinth of apparent pipes. By welcoming any material, form and color, the exhibition becomes an experimental collective

Circe Irasema, Goose noose (Juego de la Oca I) (2019). Cuerda trenzada de fibra natural, madera, vellón siliconado y tela polar, medidas variables. ©Rubén Garay. Cortesía de guadalajara90210 Agnès Thurnauer, Sin título (2019). Impresión sobre papel, medidas variables. ©Rubén Garay. Cortesía de guadalajara90210 Ramiro Ávila, ¿Cómo es que mis manos se parecen a las tuyas? (Bebedero) (2016). Cerámica, estructura



Héctor Jiménez Castillo 11/01/2016 – 11/30/2016

Every month Marginalia invites an artist, curator or project to provide a series of images that will serve as the background of Terremoto, in relation to their practice and current interests. At the end of each month, the identity of our guest is revealed and the whole series of images is unveiled.   To read histories of

Marginalia consiste en la invitación mensual a un artista, curador o proyecto a escoger una serie de imágenes para el fondo de la página de Terremoto en relación con su práctica e intereses del momento. A final de cada mes se revela la identidad del invitadx y se pueden descubrir las imágenes en conjunto.   Leer