Contemporary Art in the Americas Arte Contemporáneo en las Américas
Metteur-en-scène Metteur-en-scène

Metteur-en-scène

Gonzalo Reyes Rodriguez

Terremoto - La Postal Ciudad de México August 23, 2019 – October 19, 2019

It is comparatively easy to set up a basic model for epic theatre. For practical experiments, I usually picked as my example of completely simple, ‘natural’ epic theatre an incident such as can be seen at any street corner: an eyewitness demonstrating to a collection of people how a traffic accident took place. The bystanders

Gonzalo Reyes, Metteur-en-scène (2019). Vista de instalación. Imagen cortesía de Terremoto – La Postal Gonzalo Reyes, Metteur-en-scène (2019). Vista de instalación. Imagen cortesía de Terremoto – La Postal Es relativamente sencillo montar un modelo básico para teatro empírico. Para experimentos prácticos, normalmente escogía un incidente como ejemplo de ese simple y “natural” teatro épico, como

Gonzalo Reyes Rodriguez Gonzalo Reyes Rodriguez

Gonzalo Reyes Rodriguez

Gonzalo Reyes Rodriguez

Roots + Culture Chicago, Illinois, USA 09/07/2018 – 10/06/2018

Time shifting images exploiting the ambiguities inherent in historicizing the legacy of documentary and representational forms are at the center of new work by Gonzalo Reyes Rodriguez. Employing diverse material from the recent past such as Playboy interviews with the Sandinista National Liberation Front, and declassified School of the America’s psychological operations manuals to question

Installation view, Gonzalo Reyes Rodriguez at Roots & Culture, September 2018. Image courtesy of the artist Installation view, Gonzalo Reyes Rodriguez at Roots & Culture, September 2018. Image courtesy of the artist Installation view, Gonzalo Reyes Rodriguez at Roots & Culture, September 2018. Image courtesy of the artist Time shifting images exploiting the ambiguities inherent

Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, at Bemis Center, Omaha, Nebraska Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, at Bemis Center, Omaha, Nebraska

Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, at Bemis Center, Omaha, Nebraska

By Melinda Kozel Omaha, Nebraska, USA 12/07/2017 – 02/24/2018

The Bemis Center of Contemporary Arts debuted Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly this last winter in Omaha, Nebraska. The exhibit, curated by Risa Puleo—the first to hold title as Curator-in-Residence at the Bemis Center—seeks to address the contemporary result of a long and woven history of movement, as

Salvador Jimenez-Flores, Nopales híbridos: An Imaginary World of a Rascuache-Futurism, 2017. Terra-cotta, porcelain, underglazes, gold luster and terra-cotta slip. 96 x 96 x 96 inches. Courtesy the artist. Photo: Colin Conces El Centro de Arte Contemporáneo Bemis inauguró el invierno pasado en Omaha, Nebraska, Monarchs: Brown and Native Contemporary Artists in the Path of the