Contemporary Art in the Americas Arte Contemporáneo en las Américas
QUE VÃO QUE VEM

QUE VÃO QUE VEM

pedro frança & Victor Gerhard

Galeria Jaqueline Martins São Paulo, Brazil June 25, 2020 – August 25, 2020

Galeria Jaqueline Martins announces an online show using the gallery’s facilities, which are currently closed, as a springboard for virtual speculation. The rules that normally apply to exhibition facilities have been suspended in this digital environment. A bonfire burns in the middle of the exhibition room as a bored ghost, captured by security cameras, strolls

QUE VÃO QUE VEM (2020). Installation view. Image courtesy of Galeria Jaqueline Martins pedro frança, Sem título (fogo) (2020). Image courtesy of Galeria Jaqueline Martins Galeria Jaqueline Martins announces an online show using the gallery’s facilities, which are currently closed, as a springboard for virtual speculation. The rules that normally apply to exhibition facilities have been suspended

Começo de Século

Começo de Século

Curated by Germano Dushá

Galeria Jaqueline Martins São Paulo, Brasil November 6, 2019 –

At the beginning of the century we lived on the brink of chaos. And it still stalks us around every corner Twenty years ago, at the turn of 1999 to the 2000s, my generation was experiencing, for the first time, the complexity unveiled by the transition of the millennium: a computational problem had become a

Lucas Brandão, BUG (2019), performance. ÃO, Untitled (2019), vestment. Helô Duran, Untitled (2019), intervention with laser and smoke machine Deyson Gilbert, Braille (2019), performance. Juliana Frontin, Insomnia (2019), sound performance Castiel Vitorino, Manjericão (2019). Photo-performance A principios del siglo vivíamos al borde del caos y todavía nos acecha en cada rincón  Hace veinte años, a finales de 1999 y 2000, mi generación experimentó por

Systema-cinema: Ecstasy & Exercise Systema-cinema: Ecstasy & Exercise

Systema-cinema: Ecstasy & Exercise

Ricardo Basbaum

Galeria Jaqueline Martins São Paulo, Brazil 12/08/2018 – 03/01/2019

The project 1:1 explores the relationship between the gallery and its urban context through the connection among the exhibition space and other pre-existing places in its vicinity. In each of the project’s editions, an artist is invited to conceive a bipartite work, which occupies an exhibition room in the gallery and, simultaneously, a second space

Ricardo Basbaum, Systema-cinema: Ecstasy & Exercise (2018). Project 1:1 at Galeria Jaqueline Martins. Installation view. Photo by Haroldo Saboia. Image courtesy by the curator Ricardo Basbaum, Systema-cinema: Ecstasy & Exercise (2018). Project 1:1 at Galeria Jaqueline Martins. Installation view. Photo by Haroldo Saboia. Image courtesy by the curator Ricardo Basbaum, Systema-cinema: Ecstasy & Exercise (2018).

Regina Vater Regina Vater

Regina Vater

Regina Vater

Galeria Jaqueline Martins São Paulo, Brazil 10/27/2018 – 01/19/2019

Since October 27th, some 50 works, including photographs, videos and installations, are featured in the downtown São Paulo gallery. The artist was inarguably a pioneer in exploring connections between society, nature and technology. Regina Vater’s entire oeuvre straddles the line between political action and art creation. “In her internationally known photo-performance Tina América, from 1976,

Regina Vater, Mulher Mutante ou SWIMER, 1968. Image courtesy of Galeria Jaqueline Martins/photos: Gui Gomes Regina Vater, For a time of war, 1987. Image courtesy of Galeria Jaqueline Martins/photos: Gui Gomes Regina Vater, O teu olho é meu espelho, 1983. Image courtesy of Galeria Jaqueline Martins/photos: Gui Gomes Since October 27th, some 50 works, including photographs,

1:1 | Deyson Gilbert – Leopoldo Ponce

1:1 | Deyson Gilbert – Leopoldo Ponce

Deyson Gilbert and Leopoldo Ponce

Galeria Jaqueline Martins São Paulo, Brazil 08/07/2018 – 10/13/2018

Galeria Jaqueline Martins presents the second edition of the project 1:1, featuring a new work by artists Deyson Gilbert and Leopoldo Ponce, curated by Bruno de Almeida. For this edition of the project, which explores the relationship between the gallery and its urban context through works that take place in the exhibition space and, simultaneously,

Deyson Gilbert and Leopoldo Ponce. Installation view of 1:1 at Galeria Jaqueline Martins, São Paulo, 2018. Courtesy of Galeria Jaqueline Martins Deyson Gilbert and Leopoldo Ponce. Installation view of 1:1 at Museum Santa Casa de São Paulo, São Paulo, 2018. Courtesy of Galeria Jaqueline Martins Deyson Gilbert and Leopoldo Ponce. Installation view of 1:1 at Galeria Jaqueline Martins, São

Frente de trabalho Frente de trabalho

Frente de trabalho

Ícaro Lira

Galeria Jaqueline Martins São Paulo, Brazil 04/07/2018 – 05/12/2018

Recently opened in São Paulo, Frente de trabalho (Work Group) by Ícaro Lira (1986, Fortaleza) is the artist’s first solo show at gallery Jaqueline Martins, and a great opportunity for delving deeper into the connections that art can build with myriad social, political and cultural contexts. Amid the vibrant, festive feel of events held alongside

Ícaro Lira. Exhibition view of Frente de Trabalho, Galeria Jaqueline Martins, São Paulo, Brazil, 2018. Courtesy of Galeria Jaqueline Martins Ícaro Lira. Exhibition view of Frente de Trabalho, Galeria Jaqueline Martins, São Paulo, Brazil, 2018. Courtesy of Galeria Jaqueline Martins Ícaro Lira. Exhibition view of Frente de Trabalho, Galeria Jaqueline Martins, São Paulo, Brazil, 2018. Courtesy of Galeria Jaqueline Martins Recently

especular especular

especular

Curated by Hena Lee and Mirtes Marins de Oliveira

Galeria Jaqueline Martins São Paulo, Brazil 02/03/2018 – 03/24/2018

Group exhibition. Installation view of Especular at Galería Jaqueline Martins, São Paulo, Brazil, 2018. Courtesy of Galería Jaqueline Martins Group exhibition. Installation view of Especular at Galería Jaqueline Martins, São Paulo, Brazil, 2018. Courtesy of Galería Jaqueline Martins Group exhibition. Installation view of Especular at Galería Jaqueline Martins, São Paulo, Brazil, 2018. Courtesy of Galería

Rurais Rurais

Rurais

Adriano Amaral

Galeria Jaqueline Martins São Paulo, Brazil 11/11/2017 – 01/20/2018

We live in a paradoxical time where instability has become a permanent state. Technological developments, especially the so-called digital revolution, have completely changed how we relate to the world, progressively contaminating all areas of our life. Distinctions between fields such as work and leisure or economy and ecology have grown impractical. This breaking down of

Adriano Amaral. Installation view of Rurais, Galeria Jaqueline Martins, São Paulo, Brazil, 2017. Courtesy of Galeria Jaqueline Martins Adriano Amaral. Installation view of Rurais, Galeria Jaqueline Martins, São Paulo, Brazil, 2017. Courtesy of Galeria Jaqueline Martins Adriano Amaral. Installation view of Rurais, Galeria Jaqueline Martins, São Paulo, Brazil, 2017. Courtesy of Galeria Jaqueline Martins We

A Gentil Carioca Jaqueline Martins A Gentil Carioca Jaqueline Martins

A Gentil Carioca Jaqueline Martins

Curated by Ricardo Sardenberg

Galeria Jaqueline Martins São Paulo, Brazil 04/08/2017 – 05/13/2017

Artists: 3Nós3, Adriano Amaral, Ana Mazzei, Arjan Martins, Bill Lundberg, Cabelo, Charbel-joseph H. Boutros, Daniel de Paula, Débora Bolsoni, Guga Ferraz, Hudinilson Jr., Ícaro Lira, Jarbas Lopes, João Modé, José Bento, Lais Myrrha, Laura Lima, Lydia Okumura, Maria Laet, Maria Nepomuceno, Martha Araújo, Opavivará, Paulo Paes, Renata Lucas, Ricardo Basbaum, Rodrigo Torres, Stuart Brisley, Thiago Rocha

Installation view. Courtesy: Galeria Jaqueline Martins. Photo: Ding Musa. Installation view. Courtesy: Galeria Jaqueline Martins. Photo: Ding Musa. Installation view. Courtesy: Galeria Jaqueline Martins. Photo: Ding Musa. Artists: 3Nós3, Adriano Amaral, Ana Mazzei, Arjan Martins, Bill Lundberg, Cabelo, Charbel-joseph H. Boutros, Daniel de Paula, Débora Bolsoni, Guga Ferraz, Hudinilson Jr., Ícaro Lira, Jarbas Lopes, João Modé,

Interregnum Interregnum

Interregnum

Stuart Brisley

Galeria Jaqueline Martins São Paulo, Brazil 09/03/2016 – 10/22/2016

This is what a performance is: a live proposal in the present-future, a present that is caught between an anticipated future and a past memory. There is an idiomatic expression in English language: the elephant in the room. It means that there is an obvious great issue which is visible to everyone but no one

This is what a performance is: a live proposal in the present-future, a present that is caught between an anticipated future and a past memory. There is an idiomatic expression in English language: the elephant in the room. It means that there is an obvious great issue which is visible to everyone but no one